
Jaa Jarunun Phantachat is an award-winning actor, playwright, director and producer and co-artistic director of B-Floor Theatre, a physical theatre group based in Bangkok. A graduate of Chiang Mai University's Faculty of Mass Communication, her physical theatre training includes modern dance, Laban Effort Qualities, Butoh and Viewpoints. She has performed in numerous B-Floor productions and toured...
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On the journey to depict "borders," Because Watching Pacifies captures two KMT military dependents' villages established for surveillance purposes following the Chinese Civil War. In the mountainous region traversed by Taiwan's Central Cross-Island Highway and the highlands that border Thailand, Myanmar, and Laos, the villages were established in conflict zones along ethnic frontiers.

Visiting the hotel where his parents met during the Vietnam War, an engineer finds its twisting halls alive with restless memories of the past.

When a dedicated rescue worker inadvertently gets caught up in the kidnapping plot of a mogul's tween daughter, he must save her from the clutches of rival gangs hunting them down with unpredictable dangers around every corner.

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

When her good tenants go bad, a landlord finds herself terrorized by a cult that seemingly has her husband enthralled — and her daughter in its sights.

When a world champion of sport stacking is dumped by his long-time girlfriend, he has to learn basic adulting skills in order to live alone and take care of himself.

The story of “Fah”, a girl who was born among religious differences between her parents: her father is a Muslim, her mother is a Christian. The suffering and sentimental feelings in her age of 21 make her life insecure. She started to question about the relationship between herself and her parents whether they are really a family or just love-hate-relationship strangers.

Aoey seeks the Pak Nam Po River - believed to reach heaven - in order to send her mother, who recently passed away, to the afterworld.

Soon after a mysterious-ritual ceremony has been performed in a house, there are several chilling and inexplicable events happening which allegedly relate to haunting-spirit possession influencing house members into violence.
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