Ebrahim Azizi

Vahid, an Azerbaijani auto mechanic, was once imprisoned by Iranian authorities. During his sentence, he was interrogated blindfolded. One day, a man named Eqbal enters his workshop. His prosthetic leg creaks, and Vahid thinks he recognizes one of his former torturers.

A young videographer, is invited to a remote villa for a mysterious 24-hour film project. There, she meets two enigmatic women, Tina and Nazy, whose behavior grows increasingly manipulative and disturbing

A young woman camps alone on a quiet island. After limited yet intriguing interactions with others and a time where dreams and reality blur, she returns to Tehran. The coastal landscape reflects the woman's inner journey.

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.

A man and a woman having an extramarital affair spend a night together at her house, but the relationship changes when the man's wife is arrested during street protests that same night.

A thief who is burglarizing gets surprised by the host and commits a brutal murder. He runs away but realizes that something is following him.

Shirin, Ahmad's wife, plans to travel to France. This trip is about academic progress and Shirin must have her husband's permission to go abroad. Hamed does not give permission to his wife to leave the country. Shirin comes to Tehran to ask her brother-in-law, Yussef, for help her to leave. Yussef talks to Ahmad, but Ahmad still does not give permission to Shirin to leave the country. On the other hand, Shirin's time to apply for the university is running out. now Shirin asks for separation and plans to leave in another way. Shirin's departure from the new method has many contradictions with the approval of her family, especially her father.

A married woman betrays her husband with a man who suffers sexual dysfunction. The two meet near a stark seaside location for a brief but telling exchange that will alter both their lives forever.

Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.

It is possible to hide an event not out of cunning but out of fear that it will be revealed.