Aleksandr Shirvindt

No plot available for this movie.

Songwriter Eduard Surovy was famous in the 1970s, when the Comedy Club comedian Garik Kharlamov, who named his odious humorous character in his honor, was not yet in the project. With the personal approval of Leonid Brezhnev, Eduard was allowed to represent the USSR, closed by the iron curtain, at the famous European music competition.

The film will be based around three of Hoffmann's tales (Klein Zaches, The Golden Pot and The Sandman), with the main character being Hoffmann himself. In particular, it will focus on the duality between the imaginative universe of his writings and his real-life profession as a government clerk (which will be based on his letters and journals)

Classical history, not devoid of mysteries and mysticism, develops in different historical epochs – from Louis the Sun to the present day. Rhythms, mores, manners, and fashion are changing. Powdered wigs and doublets will be replaced by tailcoats and top hats, jackets and jackets. Only art and Bulgakov's plot remain eternal, in which the themes are intricately intertwined: the artist and power, love and betrayal, talent and envy.

No plot available for this movie.

Lyudmila Gurchenko's music benefit film.

A story about a miracle which only can happen when a fate brings together two very talented people.

After the deaths of d'Artagnan, Athos, Porthos and Aramis the Queen Anna of Austria has to ask for help of the heroes' sons. They, however, cannot fulfill her request on their own. The original musketeers have to literally return to live and embark on a new adventure.

Zhenya and Nadya go their separate ways. Nadya stuck with her bureaucrat boyfriend, married him and had a daughter, also called Nadya. Zhenya married and had a son, Konstantin. Both later divorced. More than 30 years later, Konstantin ends up drunk in the flat where the younger Nadya finds him. He is there as part of a convoluted ruse by his father's friends to get Zhenya back into the arms of the woman with whom he shared a magical night. The waylaid son is the bait to get Zhenya back to Leningrad, now called St. Petersburg. One romance is rekindled and another between the son and daughter is struck up.

A sharp and witty play on opposites. *Schastlivtsev – Neschastlivtsev* (2003) stages joy and despair as two sides of the same coin, balancing irony with a touch of melancholy. Short, but it lingers.