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Alex is a Finnish taxi driver in Berlin. One evening pits two men feel comfortable in his taxi with a briefcase full of money, but unfortunately for Alex's money stolen and a group of gangsters are at the nape of the two. Soon it comes to shooting, and when the two men being killed, is good advice costly for the beleaguered driver.

Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.

In 1978, Peter Przygodda, editor of Wim Wenders‘ films, Reinhard Hauff and Hans W. Geissendörfer, together with his Brazilian colleague Braulio Tavares Neto and Martin Schäfer at the camera, filmed the long-distance truck drivers on their journeys with heavy goods vehicles and thus obtained first-hand information. In the course of the trucker film wave ('Convoy') of the late 70s, his film was released in cinemas. Trucker life appears as a social phenomenon far removed from the romance and hero myths surrounding the adventure of the highway.
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