Jeong Ae-hwa

An elderly woman, Eunja, who lives in the countryside, teams up with Palbok, a burglar, to embark on a spree of robbing empty houses.

The father, who insists on receiving formal New Year's bows in hanbok even in the U.S., is clearly unimpressed by his Korean American son-in-law, whose Korean is shaky at best. The mother, though proud of the son-in-law, is not so fond of her own son’s Mexican American girlfriend. Their two children, on the other hand, are more comfortable speaking English than Korean and prefer hot dogs over traditional Korean holiday food.

Eun-soo and Eun-ha, a couple, left of the popular music production company to shout their individuality and form a Milky Way band with Dong-eun. Meanwhile, Dong-eun, who was investing to earn living expenses, even invested the band's money, but failed.The rest of the members, angry at Dong-eun who disappeared, sell the guitar that means a lot to Dong-eun... Dong-eun returns and goes on a journey to find a guitar.

Shortly before the start of music class, where the teacher forces the students to sing as a punishment, Hansel, a high school student, realizes that she has forgotten to bring her recorder. For Hansel, the idea of singing in front of her classmates is worse than death, so she rushes home to get her recorder.

Lesbian couple Sun-woo and Hee-suh buy a small apartment, which they’ve put everything for. But when Sun-woo loses her job and injures her leg, their relationship begins to sour while Hee-suh is sorely responsible for paying the mortgage and interest. Their stress level reaches a fever pitch when a foul odor starts to emanate from downstairs.

Disillusioned with her work life, Mun-gyeong goes on a vacation to Mungyeong City on a whim. There, she and Ga-eun, a Buddhist nun who was taking travelling practice, rescue a stray dog, Gil-soon. The three unite and spend a night of emotional solidarity at an old lady's house.

Feeling stuck, young fisherman Yong-su sees no hope in his future - like a fish in a net. As a last resort, he plans an insurance scam by staging his disappearance, hoping to provide a better life for his Vietnamese wife and his ageing mother. At the centre of this scheme is his captain, Yeong-guk, who reluctantly reports Yong-su missing. However, when Yong-su’s mother refuses to connect her son’s disappearance with his death, the white lie snowballs into something harder to chew.

The country house, the only inheritance from the grandfather, was bequeathed to the eldest grandson. Upon hearing this news, the mother cannot simply stand by and allow it to happen.

Still feeling guilty about her granddaughter′s death, Yebun spends her days in pain. Meanwhile, Okim, Yubun’s old friend in the village, passes away from an illness. Yebun briefly takes care of Jiyeoon, Okim’s granddaughter and her own deceased granddaughter’s friend.

A struggling filmmaker finds unexpected solidarity and validation when she takes on the job of restoring a classic 1960s film directed by the first known female South Korean director.