
Alberto Manuel Rodríguez-Gallego González de Mendoza was an Argentine film actor who appeared in 114 films between 1930 and 2005, spanning eight decades. A lifelong figure in Argentine films, De Mendoza appeared in film such as Adán y la serpiente in 1946 and A hierro muere in 1962 often working alongside Olga Zubarry. In the late 1960s and 1970 he appeared in a number of spaghetti Westerns. and ...
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Barbara’s behavior at school unlishes the suspicions of her teacher and the school psychologist, Sara. Talks at school with Sara, begin to reveal fears and darkness that the girl hides behind her eyes. Already convinced of her suspicions, Sara tries to get her superiors’ support as well as Barbara’s mother support to set her free out of her pain. Barbara’s mother denial, her own fear and the inaction of different institutions seem to be impossible barriers to overcome.

The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.

A retired teacher and a soap star leave their routines and the men in their lives behind and embark on a weekend trip.

Arzabal wins land on the border. When he arrives to settle in, he finds himself confronted by the local political boss, unenthusiastic about his landing. Based on the play by Mario Arregui.

After a chance encounter on the elevator, the lives of Mary Ann, a widowed English teacher, and Pedro, a recently divorced man, intersect against the hot backdrop of Rio de Janeiro.

The life story of Argentine sculptress Lola Mora.

A criminal escapes from a court, with help of three miscreants, to find his lifelong friend, who is terminally ill. The police officer catch knows there is a hidden loot involved.

Looking for news of his ex-guerrilla sons, a man agrees to collaborate with his restaurant in a network of drug dealers.

Set in 1930, a tormented man and his butler live in an old house in Adrogué, where pornographic films are filmed in the basement following the grandfather’s testament.

Adrián, a businessman who runs his wife's family industry, begins an affair with Marisa, an employee at his office. Marisa tries to blackmail her mature boss who has fallen into her trap. But the plot takes an unexpected turn, and it turns out that he is the one who dominates the situation and uses the young woman for his own benefit.
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