Victoria Abril

No plot available for this movie.

No plot available for this movie.

No plot available for this movie.

He had opened his Great Restaurant twice, in 2010 and 2011, as part of an entertainment broadcast on France 2. Pierre Palmade “reopens it after work” in the form of a fiction offered by M6. Exit the brewery. The artist has chosen to shoot his film at the Froufrou, the restaurant at the Théâtre Édouard-VII, in Paris, a chic establishment with rococo decor, more solemn and therefore more appropriate to important moments in life, to his big announcements that make the subject of a series of sketches. They are interpreted by a cast of stars just as prestigious as that of his comrade Muriel Robin a few weeks ago in I Love you coiffure , on TF1. As a common thread, Pierre Palmade in the role of the host busy satisfying his customers, while ensuring that his mother (Marthe Villalonga), his competitor (Florence Foresti) and her cook husband (Jean Leduc) do not transform the evening in disaster.

Eva and Carmen are two women who meet in the worst place: the doctor’s office, waiting to hear the results of their cancer screenings. So Carmen has an idea: why don’t she and Eva rent an RV with her best pal, Mar, make a list of things they’ve always wanted to do… and do them.

No plot available for this movie.

Bernarda is a loose adaptation of the play La casa de Bernarda Alba by Federico García Lorca . Five women are kidnapped and locked in a strange factory and forced to work as prostitutes.

No plot available for this movie.

Among France's top lawyers, Gloria Mendoza is a legend. She made a name defending mobsters before widening her list of clients to include ordinary citizens involved in crimes of blood. She won every case, earning the disapproval of the Bar Council for her loose ways with the code of ethics, and became known as "The Devil's Advocate". Now retired, Gloria is convinced there's a link between the deaths of a 15-year-old girl and her daughter.

Encarna, a thirtysomething girl of Móstoles (Madrid) is trapped in a life without changes, at the side of her lifelong boyfriend and with a job absent of incentives. Stigmatized by the famous Spanish sketch of the "Empanadillas de Móstoles", Encarna looks for a way to escape her boring life.