Cora Miao

In this story, a dancer with one of the more conservative Chinese troupes is increasingly frustrated with their stodgy repertoire, and she and her photographer boyfriend want to start a new, more innovative company. They go to the moneymen and eventually arrange this, but the photographer is so overwhelmed by the difficulties he has endured in the process that he has a nervous breakdown and separates from the dancer, who goes on to ever greater success

Frustration and recovery of a stunt man after his partner's accident.

An American-Chinese man brings over his wife from China to America, but the challenges of making a living and adjusting to a new life, plus the attentions of a gambler threaten their marriage.

A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.

Running Mate is a Hong Kong Comedy directed by Stanley Ko Moon-Kai and starring Alex Man.

Cheung Sheung and Tze Ngor are twin sisters. Tze Ngor is a lunatic and stays in a mental hospital. But out of a madcap incident, Cheung Sheung is "cheated" into the hospital, exchanging identity with her insane sister. The mad house is lived by all kinds of weirdos. The "game" is that Cheung Sheung will stay in the hospital only for a while. But strangely enough, she gradually becomes more and more ease with the way of life in the hospital until one day, she's forgotten what life is like...

Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally cut together from film that was shot for Dim Sum, which was conceived as a film about the ways in which five women of the Chinese diaspora—three American-born, a naturalized citizen, and a recent immigrant—try to balance their personal goals and the expectations of the Chinese American community in which they live. The original story line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the film was edited together to create Dim Sum Take-Out, an eleven-minute film made up of narrative segments intercut with music video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back."

Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.

An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.