Francis Seleck

When a sudden gust of wind sends her scarf flying out the window, Ema leaves her post to retrieve it. But this gesture sets in motion an absurd journey, as her compliant coworkers repeatedly try to hold her back. Feeling increasingly isolated, Ema longs to fit in, but refuses to fully surrender to the absurdity of the situation.

Two friends cannot find their way around the city of Lisbon. It is a film, which could be a poem, that has no genre and serves as a bridge between the narratives, forms, and dreams of the characters they encounter.

This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.

The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.

Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?

Paris, March 1939. While the march of the Nazi troops makes itself heard throughout Europe, exiled artists and intellectuals from all over the world still converge in the French capital. Portuguese composer Fernando Lopes-Graça is among them, sharing this cosmopolitan environment, on the verge of rupture. A happy coincidence brings him into the presence of the man he considers his master, the intransigent Hungarian composer Béla Bartók. For Lopes-Graça, the occasion presents itself as a unique opportunity to show Bartók his scores...

Agnès Dormes, a famous opera singer, saves Julie, a baby girl who was about to be sacrificed during a black mass. Twenty years later, the baby has turned into a beautiful energetic twenty-year-old young lady determined to find out about her origins. In Avignon, Julie manages to meet Agnès and discovers on the occasion she is not her real mother. A series of adventures will ensue and at a time Julie is nearly burned on the stake. But she eventually achieves her end and can marry, a street performer close to her heart.

Adelaide Coelho da Cunha, daughter of the founder of the newspaper "Diário de Notícias", married to Alfredo da Cunha, then director of this newspaper, and mother of José, who is 20. This educated, cultured woman, falls in love with the chauffeur, who is youger than her and from a different social background. This passion leads to confronting the established order of things and the standards of social behaviour of a wife and mother. She may at the same time be heroine and victim of her own courage in deciding to make a final break from the whole family status and run off with the chauffeur. When his wife runs off with the chauffeur, Alfredo da Cunha with the aid of some of the eminent doctors of the day, has her declared irresponsible and incapable of administering her assets, and on this pretext he has her inprisoned in a mental hospital.

The tumultuous lives of a woman and her three daughters who used to live in Paris, and are now living in Bairro Alto.