Noel David Taylor

Living unhoused near a flea market, two kids spend their days lifting small items from the pockets of strangers-a wallet, a watch, a comb-for fun and for their survival, until the rules catch up with them.

Hiding Henry was the very best at hide and go seek. Then, one day in the 90's, he was never found again. Thirty years later...

Something is afoot at ARROW HQ. A mysterious presence and the streaming service’s very own A.I. are determined to turn what should be a big night in ARROW history - our first live stream - into a chilling bloodbath that puts the ARROW team and an array of special guests on the chopping block. Watching Buddy Cooper’s mid-80s stalk and slash showpiece with you are Jill Gevargizian (‘The Stylist’), Chad Crawford Kinkle (‘Jug Face’, ‘Dementer’), Adam Stovall (‘A Ghost Waits’), Powell Robinson & Patrick Young (‘Threshold’), Chelsea Stardust (‘Satanic Panic’), Noel David Taylor (‘Man Under Table’), Brian Lonano (‘Gwilliam’, ‘Crow Hand!!!’) and even the final girls from the ‘Horror Movie Survival Guide’ podcast: Julia Marchese and Teri Gamble.

In an anachronistic dystopian landscape, a beleaguered young man attempts to navigate his way through the indie film scene in LA.

An elliptical, layered psychological horror that brings together multiple storylines which intersect in complex ways. Embedded within these narrative threads are topics salient to the documentary/non-fiction field: the afterlives of images of war and their fictional representation; the potential tokenization of subjects, stories, and makers by the industry; and the ethical dilemmas arising from the commercialization of the stock footage market.

The world of film and television is mad about dead young women: thrillers and crime dramas present a succession of attractive, partially clad female corpses. In this dance film, Amanda Kramer takes us into a cardboard factory that logs such corpses, complete with torn stockings and photogenic fake blood.

After a catastrophic event, eight girls find themselves stranded in a house without electricity. As they run out of food and water, their sanity begins to crumble, and soon they regress to their baser instincts.

INTERVENE is a surreal, hypnogogic parable about an unstable young man whose family feeds his madness by staging religious visions.

Two siblings share an unhealthy life full of games and codes; however, their peaceful life is interrupted when a doppelgänger appears out of nowhere.

In a nightclub, reminiscent of a 1980s photo-novel, a band is playing requests. The texts play with pop clichés about life and true love. Until a dissatisfied customer can’t take it anymore and reveals the universal truth.