Sylvia Chang

Due to his poor academic performance, twelve-year-old Tian is sent to live with his grandmother in the remote mountains of Sichuan. Far from the hustle and bustle of the city, he finds himself immersed in nature and secretly befriends a panda cub he names Moon. Together, Tian and Moon embark on a journey of discovery and overcoming challenges. The boy is forced to confront his fears and, in the process, learns valuable lessons about courage, respect, and the profound bond between humankind and nature. This experience profoundly transforms Tian's life and fosters an unexpected family reconciliation.

Jin is in her 60s. Her husband gone, her concern is for daughter Zuer, in New York trying out IVF with her partner Michelle. When Jin receives news that Zuer and Michelle have died in an accident, she heads for NY. There, she has another shock: she has inherited Zuer’s embryo and it’s for her to decide its fate. Meanwhile, going to NY also forces Jin to face Emma, the daughter she gave up for adoption when she was 17.

A documentary that takes audiences on a captivating journey into uncharted territories, pushing the boundaries of filmmaking and advancing the art form. It serves as a captivating window for audiences to appreciate the unique charm and cultural richness of Hong Kong cinema.

After years abroad, April returns to her homeland, discovering her divorced parents rekindling old ties. Memories of her extreme self-harm resurface as she grapples with her father's infidelity. Facing the impending demolition of the tea shop, April must decide between taking her mother Qiaozhen abroad or supporting her desire to continue the business. Struggling Yongtang silently raises funds for Qiaozhen's shop reopening, inadvertently falling into a scam. April also encounters her resilient half-sister Xiaojing. Amidst the challenges, she begins to reclaim the life, time, and self-reflection she had long avoided.

Accomplishing her late husband's wish of remaining a mysterious neon sign, a depressed middle-aged widow and the neon signmaker's protégé discover surprises and bitterness amidst the city's vanishing glow.

Where is home? For a group of Chinese students studying and working in Tokyo, it might be the Nankokute restaurant whose manager has been in Japan for years without ever managing to obtain a residence permit. The cook left his family in China and hasn't yet managed to have them brought over to join him and one waiter's father is sick while the other's is a violent alcoholic. An engaging fresco of everyday life with touching moments and an authentic, natural atmosphere.

On a dark night, Xueming hits a pedestrian with his car and flees the scene. Desperate to escape his feelings of guilt, he decides to approach the dead man's wife, Mrs. Liang. He develops an ambiguous relationship with the widow, while a policeman tries to resolve the investigation that will change his life forever.

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

Set in Hong Kong in 1967 — a time of complex politics when it was still a British colony — No. 7 Cherry Lane revolves around a love triangle between a university student, a single mother and her teenage daughter.

A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.