Yuriy Tolubeev

The movie is set during the last days of a foreign intervention against Soviet Russia. Police are searching everywhere for a Bolshevik named Brodsky but cannot find him. Meanwhile, a man named Michel Voronov serves as a teacher to a rich woman's son, Zhen'ka.

A second episode in the trilogy about the partisans fighting against the Nazis during the WWII on the territory of Russia. Film is set in the winter of 1943-1944. Major Mlynsky is the commander of the partisan group, that is fighting behind the Nazi's front-lines. Major Mlynsky is invited to the Chief of Staff, where he is promoted to Lt.-Colonel for his courage. Now Mlynsky is in charge of the new partisan's operation.

The film is a monograph about the life and work of the great Russian actor. Actors, theater figures, relatives and friends remember working with him.

The distant sixties – a time of romantic impulses, deep feelings, and pure thoughts. In one of the quiet, cozy alleys of old Moscow lives a talented puppet master, Fyodor Kuzmich. He has a loyal friend, Christophor, a son named Kuzya, and many puppets. Suddenly, a sweet and tender girl named Viktosha appears in the house, and she is loved by both the father and the son, and even by the puppets…

Spring of 1918. Tarakanov, managing the estate of Prince Tikhvinsky, with the help of a former court fencing teacher Marquess and a street kid Keshka, is stealing a collection of paintings and sculptures from the abandoned estate owners. Hoping to transport her abroad, criminals wander with a circus troupe, and in their wake goes a tireless criminal investigator — Makar Ovchinnikov.

KGB agents are organizing the disinformation campaign for a western spy.

A thirteen years old Anton escapes home in order to cross the country and get to his brother who works very far away.

The events that are crucial to the fate of the heroes take place during one night shift at one of the country's largest construction sites.

No plot available for this movie.

In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."