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Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Her motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star?

No plot available for this movie.

Cesar Cappucino is a French inspector of Italian origin specialized in the fight against drugs in Nice. His best friend have been assassinated by drug injection.

Val Brosse, a private detective, receives Françoise, who confesses to him that she murdered her husband. The story is false, but Val, intrigued, decides to investigate.

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

"Le Crabe Tambour" ("Drummer Crab") is the nickname for the mysterious central character, Willsdorff (Jacques Perrin), an Alsatian, whose doomed, out-of-date career is recalled through the tales of three naval officers currently serving aboard a French supply ship in the North Atlantic.

A look at 18th-century France, when the depravity of the authorities contributed to social oppression, and the uprisings flared up one after another.

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

The second part of the Seventh Company adventures.

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