Elie Kaempfen

New York, 1974: Joséphine, a French writer, interviews Thomas Edward. As the conversation progresses, she begins to suspect that he is actually Karl Hermann, a German soldier who assumed a new identity after the American landing. Karl’s life in Normandy and his passionate relationship with Martha, a French woman.

Director Gregor Samsa, washed-up and in his late fifties, is reviewing his life. Having wasted it as a cultural worker doesn't exactly add to his joy.

Maxime, a talented young actor with a promising future, has a great ambition to work at the very start of his career. One day he is lucky enough to find an opportunity to work on a new project by his favourite director, David Sunderbergh. Determined to do everything in possible to get a role in the great director's new film, Maxime sets out to record the best audition performance of his life. The result will be a unique selftape.

Emily and Sebastian travel to his hometown of Paris to land the Ad account of famed Durand Diamonds and end up in a tricky situation when the client mistakes them for a happy couple.

A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.

Adrien, an attractive dancer whose career was shattered by a motorcycle accident, squanders his youth in idleness. His life changes when he meets Margot, who lives off scams and amorous manipulations.

Charles is the victim of phobia of urges and ruminations which worry and disturb him. His daily life is poisoned by visions of himself committing criminal acts against people around him. Through these omnipresent thoughts in voiceover, he questions himself about the nature of his obsessions and impulses.