Lee Doll-hyung

There is HWAPYONG Restaurant with full of hopes of the family of three generations. Grandfather, the first-generation owner, and the first son, the second-generation owner, who lives as a fugitive after being branded as a communist and his wife and Cheol-soo’s mom who has to work hard by juggling work and family without complaint. The second son, Cheol-soo’s uncle, who sometimes acts like a child with an excuse of being the second son but loves Cheol-soo more than anyone and seriously cares about the restaurant. To the third generation, young Cheol-soo, family is the most precious. By the time when ‘Seoul Spring’ longing for democratization came to nothing due to ‘Retreat from Seoul Station’ in 1980, there were a series of peaceful protests in Gwangju, Jeolla Province. In warm May, a large dark cloud is looming over HWAPYONG Restaurant, the home and everything of this ordinary family of Cheol-soo, in the middle of Gwangju.

One day, an unknown existence appears and announces that everyone will die. To survive judgment day, those who have witnessed the death of their immediate family members must share their lives with those around them.

The third prison of death, where only vicious criminals who do not have a sense of law or common sense are being kept. A new era of power opens when Lee Tae-sik, the nation's former boss entered the office. Soon, the new warden, Jo Pyeong-ho, ends the evil without blood or tears, and begins to imprison the prisoners terribly, including Lee Tae-sik.

A seasoned actor and a pop star are cast as leads in a gay romantic play. As the actor teaches the pop star method acting, the line between fiction and reality is blurred and they become drawn to each other.

Eun-bi, an orphaned girl who works as a prostitute, is moved to action when her prostitute friend is brutally gang raped and the police do nothing because her friend was a prostitute. Deciding to run for Korea's parliament, she runs into mob coercion and deception along with way. This movie is a funny but insightful satire of the corruption of Korean elections.