Olaf Fønss

No plot available for this movie.

No plot available for this movie.

In a tuberculosis-clinic a young patient steels the hearts of her fellow patients.

A film based on novel Jane Eyre.

The year is 1820 and a young, promising artist, Olaf Malm, has settled in Rome, Europe’s centre of art at the time. He is in love with Sigrid, but class differences make their love impossible. Olaf Malm dies in a tragic accident; he allegedly drowns in the Tiber, but his body is never found. Sigrid gives birth to their lovechild, and twenty years later history repeats itself: their son, Henry, who has never known his real parents, loves a woman who is far above him in social rank. Fate brings him back to Rome, where his parents loved and lost each other many years before. (stumfilm.dk)

No plot available for this movie.

The lawyer Magnus Brygge has everything – a good job, two beautiful children and a young, beautiful student who has set her eyes on him. But soon his luck will begin to turn. A sleazy painter with nefarious ulterior motives first turns the head of the professor’s daughter and then of his young bride-to-be, with fatal outcomes and broken relationships as a result. Like sand through an hourglass, everything is about to go down in this bleak but breathtakingly beautiful winter drama with Olaf Fønss in the lead role. (stumfilm.dk)

Rowland falls sick with leprosy while Mac Allan is captured by the Maharajah, who offers Irene a deal: one night with him in exchange for letting Rowland to be cured. She accepts, but tries to commit suicide.

Ayan, Maharajah of Eschnapur, believes that his wife, Princess Savitri, has been unfaithful to him with officer Mac Allan. He decides to bury her alive, so he sends the Yogi Ramigani to England to look for Herbert Rowland, an architect; but when he orders him to build a tomb, Rowland refuses.

Dr. Egil Börne, an eminent physician, comes under the spell of an unscrupulous cabaret dancer and deserts his fiancée. The plot finds echoes throughout the Weimar period, including Sternberg’s The Blue Angel. Conrad Veidt appears in a supporting role as a sinister blind painter, whose entrance eerily presages Murnau’s Nosferatu. Der Gang in die Nacht, the earliest surviving film by F. W. Murnau, is also, paradoxically, the only Murnau film for which the original camera negative exists.