Rosalind Russell

In this 25-minute video essay, film scholar David Bordwell, co-author of "Film Art: An Introduction", conducts an analysis of Howard Hawks's "His Girl Friday" (1940), which he believes to be the apotheosis of classical Hollywood storytelling. Bordwell discusses the film's history and the status of Howard Hawks as an auteur before delving into a detailed analysis of various aspects of the film's narrative, dialogue, use of props, editing, and staging.

Life is a Banquet is a documentary on the life and work of Academy Award and Tony Award-winning actress Rosalind Russell. From her early days in memorable films such as The Women, through career highlights like His Girl Friday and Auntie Mame, to her philanthropic work on behalf of arthritis research and other causes, Rosalind Russell's story is one that continues to amaze and inspire.

In this documentary short, film historian David Thomson and critic Molly Haskell analyze the themes of Howard Hawks's 1940 film "His Girl Friday."

A documentary covering the great flood of 1955 that swept through the state of Connecticut, including testimonies and eyewitness accounts from survivors.

Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

James Earl Jones hosts this film based on two stories by the late Rod Serling, who wrote the stories of the original 'The Twilight Zone' (1959) series. In "The Theatre," a young woman attends a movie only to find that her life story is being revealed on the screen. In "Where the Dead Are," a Boston surgeon in 1868 searches for a scientist who may have the answer to a medical mystery.

Documentary about James Stewart's long career as an actor and positive personal life.

Overview of director King Vidor's filmography.

A charming but somewhat larcenous widow attempts to snare a rich bachelor through a lonely hearts club, but her scheme boomerangs into a deadly cat-and-mouse game. This marked the TV-movie debut of both Rosalind Russell and Douglas Fairbanks Jr., and was sadly also Russell's last film role.

Mrs. Emily Pollifax of New Jersey goes to the CIA to volunteer for spy duty, being in her own opinion, expendable now that the children are grown and she's widowed. And being just what the department needed (someone who looks and acts completely unlike a spy), she's assigned to simple courier duty to pick up a book in Mexico City. But when the pickup doesn't go as planned, Mrs. Pollifax finds herself handcuffed to a handsome stranger on a plane bound for an Albanian prison. And it's up to her to get them out.