Maria Rohm

Swedish Wildcats, Italian Lesbionic Nuns, Frisky Inmates in South American Prisons, Euro Lesbo Vampires and a vast assortment of Sapphic Sleaze. This is Sexploitation. Exploitation. Gridhouse. To be Polite or Academic we call it Erotic Cinema. Whatever your term of choice, this genre's glory days blasted through the 60's and 70's. None of these films were strictly lesbian, or even for lesbians but this historic montage will change that. Here are Erotic Cinema's heroines of the 60's and 70's, fighting, tempting, teasing and fucking each other. These ladies are depraved, filthy-dirty and insatiable. You will be too.

Cult director Jess Franco recalls the making of his adaptation of Bram Stoker's Dracula starring Christopher Lee.

Annie, the mistress of a middle-aged financier, accompanies him on a trip to Hong Kong. When his business interests collapse Annie ends up destitute. She is befriended by a group of socialites and begins her rite of passage in their world.

Julio, an only child belonging to a wealthy family, murders a prostitute who tries to seduce him. He, in childhood, suffered severe trauma and this causes serious problems with women. Because of this, runs away and stays in a boarding house in Madrid, where he meets Monica, the daughter of the owner, who maintains relationships that seek to build on for help in their desperate situation. As his obsession for killing is increasing.

Ten people are invited to a hotel in the Iranian desert, only to find that an unseen person is killing them one by one. Could one of them be the killer?

John Thornton, is a fearless man who's after more than gold; he wants to do what's right. Thornton works for the U.S. mail and is the only person daring and smart enough to figure out how to travel the deadly 600 miles from Skagway to Dawson, Alaska in the icy winter. His incredibly dog Buck is by his side and part of how he survives.

The story revolves around Anne who is held hostage by an escaped maniac from an insane asylum. The fugitive forces her to tell stories to prevent her from getting help. Anne then spins a fanciful tale about a girl's escape from her imprisonment by savages and her longing to return to captivity.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Young Jim Hawkins finds himself serving with pirate captain Long John Silver in search of a buccaneer's treasure, in this short adaptation of Robert Louis Stevenson's classic tale.

Told from the POV of Black Beauty himself, his birth and perception of humans are explored, but his first owner, a boy named Joe, is his most memorable.