João Melo

A 12-year-old boy lives on the riverbank with his unstable father, who struggles with alcoholism. Next door lives a woman with her teenage daughters and the boy becomes particularly devoted to them. The five of them form a kind of dysfunctional family, based on the traditional livelihood of fishing and selling lamprey. However, in a year ravaged by drought and the effects of climate change, the business is barely profitable and the father's erratic behaviour makes the situation increasingly untenable.

According to Sigmund Freud: “Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways”. “Umbral” materialises the moral dilemma of whether there is a cause and effect link between trauma and criminal behaviour.

Maria spends her days working in her family’s noisy metal factory. While being oppressed by male violence, she is also responsible for caring for her sister-in-law and niece, both existentially depleted. A revolution starts to boil within her.

In a digital age where everything is fast and efficient, human beings are unable to develop meaningful relationships. Lia, an unconforming young woman from this well-formed society, struggles with the loss of her father and finds herself in a depressive state. After receiving an offer that promises to solve all her problems, Lia will have to make a choice: the comfort of the virtual world, in which she will have total control over her life or the real world with the virtues and difficulties inherent to everyday life.

A mysterious shadow unveiling a female figure walking naked towards us in the desert. In another sequence, the same woman speaks on the phone, talking about the end of the world. In a third moment, a couple prepares breakfast in their apartment, with the same woman from the previous sequences embracing a baby. What will these three narrative moments have in common? What is the relationship between them? Everything and nothing. Is the answer in the woman’s emotional words on the phone? Or in her helpless expression when walking naked? Or in the happiness she seems to find in the domestic routine? Perhaps the charm is really not in trying to decipher, but in getting lost in this visual and impressionistic poem, this shake that slowly expands in our senses. Max Planck, one of the founders of the ancient quantum physics theory, said that energy has a discontinuous structure and can only exist under the form of fragments. These are the fragments that hide here an ethereal promise.

Film biography dwelling on the hectic artistic life of António Variações, a famous Portuguese pop rock singer from the 80s, who died from AIDS-related complications in 1984.

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

This is the story of Aristides de Sousa Mendes, a man of conviction who saved 30,000 lives during WWII, in June 1940. Among them were10,000 Jews. As the Portuguese General Consul stationed in Bordeaux, France, he issued 30,000 visas for safe passage to Portugal. He defied the direct orders of his government and exhibited courage, moral rectitude, unselfishness, and self-sacrifice by issuing visas to all refugees regardless of nationality, race, religion or political opinions.This narrative film expresses his heroic actions towards humanity, which will perpetuate his legacy of justice for a new generation. In 1966, Yad Vashem named him Righteous Among the Nations. He is considered to have achieved the largest single rescue operation of World War II.

No plot available for this movie.