
Maria Körber, daughter of stage director Veit Harlan and actress Hilde Körber, was born and raised in Berlin. She attended drama school at the Berliner Hebbel-Theater with Ernst Schröder and took private lessons from Marlise Ludwig. Maria made her stage debut in Sartre's 'Die Fliegen' in l948. She was offered a first steady working engagement at the Staatstheater Oldenburg. Further stops of her s...
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Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. His most perfidious film was the treacherous anti-Semitic propaganda film Jud Süß - required viewing for all SS members. This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.

Teacher Anne and policeman Georg are thought of as the perfect couple. However, appearances are deceptive: one of them is covered with scars and bruises. But which one is the abuser?

Ernst Stadler is a successful, award-winning chef with his own gourmet restaurant. His older brother Ludwig is also a chef, but is currently in prison. Adrian, the youngest of the three, is a nurse and gay. When their mother dies, they travel together to the funeral in Saxony-Anhalt. There they find a clue about Wickerl's biological father. They track down Ernst's father in Hungary. He had once abandoned his pregnant mother. Adrian is not a brother in the biological sense; he was adopted by his mother as a foundling. Nevertheless, they come to the conclusion: "And the three of us are still brothers."

"The blood of millions of people hangs on this film" wrote the newspapers in 1949, when the trial of Veit Harlan began. Between 1940 and 1945, 20 million Germans saw his inflammatory film "Jud Süß". Is Harlan a "director of the devil", as the public prosecutor claims?

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A handful of disparate people in Berlin are drawn to the same residential hotel in the drama Downhill City. Finnish musician Artsi heads to Berlin in hopes of hitting the big time; needing a place to stay, he takes a room at the Downhill City Hotel and ties to find a market for his music. Meanwhile, another Downhill Hotel resident, aspiring author Fabien, meets a former convict named Sascha who has nowhere to stay and offers to take him in. Peggy, who works at a fast-food restaurant, is unhappy with her boyfriend Hans and finally kicks him out. Peggy meets Artsi when he stops by the burger stand one day, while Hans (who ends up crashing with Sascha and Fabien) starts a new relationship of his own with Doris.

The young Laura actually has a bright future ahead of her: She marries Alec Haverstock, the man she loves as she has never loved anyone before. But Laura has no idea that Alec's past has a flaw that will soon overshadow her young happiness. On a trip to see Alec's relatives in Cornwall, she embarks on a search for the ominous traces of the past. And she gets into dramatic entanglements that threaten her life.

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The attractive Léa is around 40 and has a 20-year-old son, the result of a fleeting relationship. She lives with him in a posh studio apartment. Now Léa falls in love with David, who is supposedly an architect with a full order book and promises her marriage. In reality, however, he is a small-time employee. So that son Mathieu, who doesn't want to leave his mother alone, moves out of the apartment and goes to Canada with his girlfriend, a comedy is played for him...

Young physician Dr. Thilo Stüver champions patient‐centered care, sparking conflict with colleagues prioritizing experiments. When he objects to a risky drug trial and clashes over invasive testing for a friend’s referral patient, Stüver faces a career crossroads between hospital politics and private practice.
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