Ryôhei Higashino

Asahi, a fan of the live idol group "RADICAL LILY POP," is especially a fan of member "Emapi". One day, Asahi meets fellow fan Nanami at a drinking party invited by fellow otaku Renjiro. While Nanami calls idols by their first names and wants to get close because she loves them, Asahi wants to keep her distance and worship her as a god because she loves her. Together with Renjiro, they discuss idol theory, but they don't quite get along. Eventually, Asahi realizes that Nanami likes women and isn't just a fan, but is also making advances on member "Minorin", and he senses the danger that she might get her way with "Emapi," whom he is supporting.

Final chapter of the Saaya & Koharu Trilogy. Saaya and Koharu are living happily together when Momoka, who is aiming to reach the top of the yuri doujinshi world, stand in their way. In order to take her place at the top, Momoka tries to drive a wedge between Saaya and her rival. Furthermore, Koharu faces a new obstacle when her mother pressures her to marry Makoto. (R15+ version premiered at the OP PICTURES+ Festival 2025).

After graduating from high school, reclusive Matsuri spends her days fantasizing, venting her sexual desires. Her father, Toshiaki, and mother, Reiko, worry about their daughter, but enjoy their lovey-dovey days. Every time Matsuri sees her parents enjoying their harmonious life, her delusions intensify. One day, Hiroki, who happens to be passing by, picks up her laundry. The two become close, and Matsuri begins to develop feelings for him. Her world of delusions continues to expand. (R15+ version premiered at the OP PICTURES+ 2025).

After her painful breakup with Koharu, Saaya settles down with a new girlfriend but is dumped once again when her partner realizes she still has feelings for Koharu. Depressed and in a creative slump with her comic activities, Saaya is forced into an arranged date with a young man named Kenji. At first, she’s not keen on the idea, but after meeting him, she becomes attracted to his kind personality…

Set in a small town drive-in, the story revolves around Akio, who harbors complex feelings for his sister Marié, who returns home after her husband’s suicide with her son. The narrative intertwines with the lives of Akio’s half-brother Keisuke, part-time worker Emiko, their father Shōzō, high school teacher Ōtsuji, Akio’s lover Maria, Wakamatsu’s wife Kuriko, and Kuriko’s affair partner Yamaguchi, creating a web of intricate relationships.

Saaya, a Girls Love comic artist, works tirelessly on her latest story “Maaya and Chiharu,” in which she draws one of the titular characters based on Koharu, a childhood friend from her hometown with whom she fell in love with. Although things seem to be going well with her boyfriend, Saaya can’t seem to let go of her feelings for Koharu. Then one day, she unexpectedly encounters Koharu again. Learning that Koharu is no longer able to stay in their hometown because she was caught dating a woman at work, Saaya finds her old feelings of passion begin to stir…

Midsummer, a housewife in a rural town, was asked by a passing movie director, Wada, to "become an actress!" And made a big decision to move to Tokyo. On the other hand, Wada, who had forgotten about such a thing, read the script written by the unsold scriptwriter Ippei and supported it. Ippei is depressed. It was midsummer who visited there, but Wada, who was not in the corner of her memory, was not so happy, and midsummer who lost her place was living together for a while with Ippei and her acting special training and script cooperation of love affairs. To start. The two of them try to make Wada blow a bubble, but Ippei gets out of touch with the sex appeal of midsummer.