Laurence Rupp

In the Eastern Front of World War II in 1943, a five-man crew of a German Tiger tank is sent on a secret mission far behind the fiercely contested front line. Fueled by the Wehrmacht's methamphetamine, their assignment increasingly becomes a journey into the heart of darkness.

South Tyrol, 1961: Paul was hoping to escape the confines of his village and study painting. But because his older brother Anton is a wanted terrorist, he’s forced to stay at the farm and help Anton’s wife, Anna, and their son. As Paul is drawn into a vortex of violence and toxic masculinity, Anna struggles with the radicalization of her husband and the patriarchal structures in place at the time.

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

When a skeptical journalist reluctantly participates in heartbreak therapy for an article, he ends up opening his heart to his charming therapist.

Flooding in Krumau am Kamp: three infant bodies, two girls and a boy, are found in the basement of the Trummler family's farm, which has long been uninhabited. The children were suffocated immediately after birth and buried on the spot. A dark reputation precedes the Trummlers – the word "cursed" is used more than once, after the daughter's disappearance without a trace...

Policewoman Tilda is in the dark, and her only connection to the outside world is her cell phone. She contacts her stepson, gravedigger Max Broll, and tells him that she has been buried in a box. According to Tilda, the perpetrator is Leopold Wagner, the "child maker," whom she put behind bars years ago. However, since Wagner is still in prison, this can't be true.

Captured with a mobile phone, we see a group of three friends gathering at a ski lodge. Daniel is about to propose to his girlfriend and his friend films the whole thing to remember the best day of their lives.

After many successful years, Hans loses his job overnight - and with it the stability and meaning in his life. Undecided what he wants to do with himself and his future, he drives through Vienna and ends up in the "Südpol", a pub on the other side of the city.

Young and eager police recruit Chris shoots a mentally ill man on duty. He is celebrated a hero, but soon after, traumatic symptoms begin to surface. In a desperate attempt not to be exposed by his tough superior Konstantin, he resorts to excessive violence, in order to hide his trauma and fulfill his dream of becoming an elite cop.

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.