Adolfo Fernández

A model is taking a photo shoot with a recognized photographer. He proposes to take the photos with the naked torso to convey that insecurity caused by nakedness. He wants to talk about how vulnerable women feel in this society.

Germán, an honest family man, sees how his whole world wobbles the night when, driving home, accidentally runs over two teenage girls. From that moment, Germán will have to do everything in his power to prevent his life from being destroyed forever.

In a strange world where people share numerous deformities, the same problem we all face challenges each of them: to find someone who accepts you as you are. Sometimes, that means finding yourself first.

In 1938 the Spanish Civil War has worn both armies and destroyed the mood of the people of both sides. The differences between national Republicans however are revealing: The fascist side has the unconditional support of arms and men facilitated by Hitler and Mussolini while the Republican army is ignored by a Europe more concerned of a possible World War than the fate of Spain. Thousands of young people between 17 and 18 rows are called by the republican army. These are the main characters, four young for whom the Battle of the Ebro will be the first direct contact with the war. This film tells the story of these young people forced to leave behind innocence and into whistling bullets.

Russian front, winter 1943. Soldier Arturo Andrade and Sergeant Fernando Espinosa are commissioned to investigate a mysterious murder while the Spanish Blue Division of the German Army endures the fierce counterattack of the Red Army.

Evelyn travels to Spain from his native village in Peru. She thinks she will work with her cousin in a restaurant. But is deceived and kidnapped to engage in prostitution at a club road. This is the story of brainwashing, which transforms a small town girl into a sex slave.

In Brétema, on the Atlantic coast, there was a time when networks of smuggling, drug trafficking converted, achieved so much influence that they were close to control everything: social power, institutions, the lives of its people. Fins, Leda and Frink explore the coast in search of what the sea throws after a wreck, the sea is for them a place of continual discovery. The fate of these young people will be marked by the shadow odious and fascinating at the same time the ubiquitous Marshall, owner of almost everything in Brétema.

Ruiz died. The Human Resources department of the pharmaceutical company Farewell-Gutmann has lost a dedicated director, but Lazarus, Adele and Ferdinand will miss him. Still warm body of the deceased, their subordinates killed begin the race for succession. The arrival of an eccentric from the central executive will forever change the relationship between them.

Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.

Following the random path of a lighter that is being lost by their owners occasionally in different parts of the world, this story is built with the common stories of relationships, the "amour fou" and the surprising appearance of main characters of unusual stories and fitted with a sincerity not always timely.