Lucien Bérardini

Robert Paragot, a mountaineering legend, was also a great Bleausard. In addition to his far-flung alpine-style expeditions (the south face of Aconcagua, Tour de Mustagh, Jannu), he is the very image of the modest city dweller who devoted himself passionately to high-level mountaineering. Like any good Parisian climber, Robert Paragot began his climbing career in the Fontainebleau forest. A true rock school where he would open several boulders. His son, Christophe Paragot, paid tribute to him, a year after his death, by climbing all the boulders opened by his father in Fontainebleau in the same day. He tells us about an era, a spirit, an emblematic place through his memories and some delightful anecdotes. Far from spectacular images and sporting exploits, this film speaks of a passion, a story of climbing that was made accessible to all. In memory of a great name in mountaineering who, from the modest blocks of the forest, climbed to the highest peaks in the world.

Pierre Mazeau has managed to unite three of his passions which seem to have nothing in common, at a very high level: mountaineering, jurisprudence and policy. The Everest mountaineer, rescued from the Freney Pillar, the passionate jurist, the former sports minister, privy counsellor, and president of the French Constitutional Court is a charismatic personality. This sensitive film portrait follows a line, which Pierre Mazeaud himself has quoted: “Alpinism belongs to those who provide themselves with means to reach their goals, to those who are fully committed to a goal, to those, who know the value of solidarity of men, and to those who are aware that true human existence can only be fulfilled by proceeding with a team of roped-partners.”

Guido Magnone's incredible adventure begins strangely on the banks of the Ourcq canal among a group of kids who dream of swimming. Guido, the solitary son of "rital", dives to get noticed, succeeds, takes a liking to it, breaks his first record, collects medals. At the same time, he draws, attends the Beaux-Arts, is accepted with open arms and befriends the sculptors César and Féraud. At the end of the war, during a health stay in Chamonix, it is love at first sight for the mountains, climbing. Guido's ascent is now dizzying. He stormed the west face of the Drus, then the Fitzroy and the Tour de Mustagh, summits reputed to be impossible. He rubs shoulders with the greatest, Lionel Terray, Maurice Herzog, and participates in the Makalu expedition, camera in hand, or those of Jannu and Chacraraju. Later, in his fifties, Guido hangs up the carabiners and participates in the foundation of the UCPA

Terray. This name sounds like a challenge and evokes deep respect in the memory of every mountaineer. For all, Lionel Terray remains forever the "Conqueror of the useless", the example of a generous and mature mountaineer, far from any egocentrism and any ambition. Not only a pioneer and witness to the history of mountaineering, Terray is also remembered as a man and a master more than an athlete. Forty years after the tragic death of this extraordinary mountaineer and guide, who liked to think of himself as a "simple mountaineer", his former friends and the youngest generation of mountaineers come together in this film to celebrate and remember his legacy.

Guido Magnone designs cardboard boxes by hand for his parents' small business. A painter friend loves his brushwork and pushes him to attend the Beaux Arts. He takes an external competition, wins it, befriends the sculptors César and Féraud, surrealists, a handful of bohemians. He then discovered the mountain and quickly became one of the best climbers of his generation. He made prestigious conquests such as the west face of the Drus in the Alps, the first ascents of Fitz Roy in Patagonia with Lionel Terray or Makalu in the Himalayas... Magnone also participated in the creation of the UCPA and will be president of the Groupe de Haute Montagne from 1961 to 1965. From 1977, Guido returned to his first passion: sculpture, to devote himself fully to it around 1990. He began to exhibit again in 1996. In 2002, he exhibited his sculptures in Paris , Bourg-la-Reine, Aosta then in Etroubles in 2009.

No plot available for this movie.

Paragot and Bérardini: two climbers who fill all climbing enthusiasts with admiration. In Fontainebleau, Saussois, the Alps, the Andes, the Himalayas, and all over the world, they have left their names attached to the most difficult routes and the most prestigious peaks. Here, they recount only the climbs they completed together: famous expeditions to Aconcagua and Huascarán, firsts in the Alps and the Dolomites. An unwavering friendship, comical and tragic adventures—this is what they share with us in the warm atmosphere of their memories. "La Cordée des Voyous" will be included in Jean Afanassieff's film "La Grande Cordée," which deals with post-war proletarian mountaineering.

History of the first ascent of Aconcagua by the south face in February 1954 by the French shock team led by René Ferlet and composed of Lucien Bérardini, Adrien Dagory, Edmond Denis, Pierre Lesueur, Robert Paragot and Guy Poulet. In seven days of combat, they extricate themselves from the mountain in a pitiful state; all except Robert Paragot will be victims of severe frostbite which earned them amputations, some important as for “Lulu” Bérardini who lost part of his left hand.

The adventures of a group of friends who plan to recover crates full of gold from a fall in Canada.

In 1983, the French Mountain Federation (FFM) organized a landmark climbing gathering in Saussois and the Verdon, bringing together generations of the greatest climbers of the time, including Patrick Edlinger, Jean-Claude Droyer, Jerry Moffatt, Jean-Claude Droyer, Robert Paragot, Lucien Bérardini, Ron Fawcett, Jean-Pierre Bouvier, and other major figures. This event symbolized the emergence of modern sport climbing as a practice in its own right in France, with the liberation of legendary routes and the rise of freestyle climbing, notably under the leadership of Droyer and Edlinger. This gathering was a key moment in the dissemination of the freestyle ethic and the evolution of grading, while Saussois and the Verdon were at the forefront of high difficulty in the world.