Ivo Colonna Olsen

Historically, tango has been associated with machismo, but in recent years, feminism and the LGBTQIA+ movement have been reshaping it and opening up new avenues for expression and inclusion. The solemn charm of classic tango is combined with androgynous bodies, and a new freedom emerges: creative, technical, but above all emotional and linked to gender diversity.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.

A housemaid, working in an exclusive gated community in the outskirts of Buenos Aires, embarks on a journey of sexual and mental liberation in a nudist swinger-club boarding the high security walls.