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Igor, who manages a fancy hotel and is on the take, has to juggle several problems at once. He has a two-hour window to get his ill-got gain out of the hotel, he must misdirect and obstruct the inquiries of a Party auditor who suspects that all is not above board, and he must keep out of sight and out of trouble his interloping and troublesome young brother-in-law, who arrives unannounced with barrels of rotten herring.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

Based on the comic strip about the hopeless but lovable slacker Gaston who drives his colleagues crazy at the office.

The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.

The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

Jean-Louis, a garage worker and womanizer, asks his friend and boss to reverse roles for a while, to make his brother, who has just arrived from South America, believe he's not only the boss, but also his wife's husband.

Julien Brûlebois, a brave peasant from Auvergne, learns that he has been summoned to Strasbourg to collect an inheritance. Amazed by the operation of the bus that takes him from the station to his notary's home, he decides to buy it. What follows is a bewildering chase between the agents of the Strasbourg transport authority, the capitalists, the naive peasant and his lucid, pretty fiancée.

The Saint-Tropez police launch a major offensive against dangerous drivers. Marechal Cruchot (Louis de Funès) relishes the assignment, which he pursues with a manic zeal. Cruchot is after an offending driver, who turns out to be Josépha (Claude Gensac), the widow of a highly regarded police colonel. When they meet, Cruchot falls instantly in love....

Adrien Chautard, a major industrialist from Abidjan, has been chosen to replace an expert on the official Ivory Coast delegation sent to Paris to discuss the country's association with the Common Market. Chautard is delighted at the prospect of this trip, where he will be reunited with the woman of his dreams: Elisabeth. Alas, at Abidjan airport, a nasty surprise awaits him: Berthe, his lawful wife, has decided to leave with him to consult a leading cardiologist in the capital.
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