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Salzburg. A few weeks before Christmas. Franz, in his late forties, secretly dreams of a career as a rock guitarist, but in real life he ekes out an unsuccessful existence as a music teacher. In addition, his marriage to Linn is in deep crisis and the pubescent daughter Julie hardly speaks to her parents.

The investigation of an escort girl found dead in a luxury hotel leads the detectives on a dangerous trail, flustering the local authorities of the wealthy town.

To find out the truth about her sister's death, lawyer Julia returns to her home village in the foothills of the Alps, where the gruesome murder took place eight years ago. A mysterious email she receives opens up old wounds and makes her doubt whether the police convicted the right person back then. Step by step, she delves deeper into a web of lies and half-truths, putting herself in danger in the process. Julia wants to confront the past and find her sister's real murderer. She seeks contact with Inspector Maurer, who once led the investigation. The taciturn investigator is now suspended from duty and seems to know more than he is letting on. The behavior of psychologist Lisa Poldack, who has been treating the recently deceased perpetrator since his confession, is also puzzling.

The big opportunity has come for amateur filmmaker Pospiech: The local bank director has announced a film competition. Pospiech wants to win with a portrait of Hitler the private man - and show it to his rival. Nagy, director of an amateur film club and failed real estate agent, claims to be the greatest film connoisseur in town, just like Pospiech. The battle for the crown can begin.

The snow is staying away from the Bavarian ski village of Haunzenberg, and so are the skiers. Business is failing and so is Georg's relationship with Emilie. During his attempt to reignite the fires of passion, the wooden cross in the next room falls down, crushing Emilie's very Catholic mother Daisy. Wracked with guilt, Georg and his drinking buddies hatch a plan to have Daisy canonized by the Church, hoping to save both the village and his relationship. Everything goes according to plan until the Vatican sends a Priest to examine the miracles of Saint Daisy... Written by Anthony Parkhurst

The story of two pensioners, Max Wanner and Fritz Pollatschek. Wanner needs a new liver, Pollatschek a new heart. But how are two men in their seventies supposed to get hold of a donor organ? A hair-raising and eventful search begins...

The Berghotel Edelweiss, located amidst a picture-book landscape, is a traditional family business. To meet growing demands, Max Höllerer takes out a loan to expand the property. Unfortunately, he has speculated. The bank sells the house, but secretly plans to make a large spa hotel out of it. The attractive Sarah Sand is scheduled on Höllerer to make him the post of managing director tasty.

Think of a really nice person, a friend of yours, someone who could never hurt a fly. Imagine finding out that he is supposed to have killed someone. You're told that he has shot a person in a bar, for no obvious reason. He has already confessed. He says the murder was planned. He expects a life sentence. He even longs for it. He wants to pay for his crime. The psychiatrist cannot see any mental illness. People around him don't think him to be evil. They like him. They want to help him and protect him from himself. And they all ask the same question: Why....?

This critically-acclaimed TV movie focuses on a Bavarian countrywoman and her desire to die with dignity. Maria Stadler knows that she will die soon from cancer, but the stubborn old lady doesn't want to spend her last days in a hospital. Her doctor cannot keep her from returning home, so he sends his best nurse, Andrea. Maria gets angry when Andrea tries to rule her life, but the conflict between her sons also weighs heavily upon her mind.

The young Friedrich Schiller begins his life as a poet with a dramatic escape. After the sensational success of his first drama "The Robbers", he deserts from the Duke's army. At the Mannheim Court and National Theatre, he initially receives a friendly reception, but his new play "Fiesko" is not well received by the artistic director Dalberg. In the successful actor and author August Wilhelm Iffland, Schiller finds a strong competitor for the position of in-house playwright and vies with him for the love of the same woman. The young poet's situation becomes increasingly precarious; he has no money, suffers from hunger and falls seriously ill. Nevertheless, he works feverishly for recognition and success with no regard for his own health.
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