Pierre Tairraz

At once a high-level musician, member of the October Group, entertainer, theater artist, film actor, mountaineer, and skier, Maurice Baquet, always on the move, structured his life around two common threads: the cello and the mountains. He once defined himself as a "cellist-skier," "all alone" in this category, which prompted James Couttet, world ski champion, to say: "Of all the skiers I know, he's the best cellist." Echoing this, Professor at the Conservatoire National Supérieur, André Navarra, added: "Of all the cellists I know, he's the best skier." Throughout his varied yet coherent career, Baquet helped to project a joyful and artistic image of the mountains. Who better to talk about Maurice and all his adventures than his alter-ego: Cérébos, the faithful cello that never left his side? From Paris to Chamonix, from the stage to the granite slabs and snowy slopes, this film follows Cérébos, crossing the century and above all... smiling!

For a century and a half, mountain images by their beauty have largely gained from its influence, its frequentation and its development. But they are also a tool in the service of science, fixing the transformation of landscapes, habitats... Over 150 years, the Tairraz dynasty photographed the mountain. Four generations of photographers have magnified the Mont-Blanc massif. From the first photograph taken at the summit of Mont-Blanc in 1861 to the present day, this art is at the origin of many mountaineering vocations and has largely contributed to the tourist development of these formerly ignored valleys. Here is the wonderful story of a dynasty of photographers, the Tairraz, which stretches from 1861 to the dawn of the 2000s.

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.