Sampath

Prabhakar, a cop, is murdered. A clue left by him leads his father to his lookalike Ranga. Ranga then trains to avenge Prabhakar's murder.

Chengumani is commander-in-chief in the 18th-century Coorg region of present-day Karnataka. He becomes the king's commander-in-chief after saving his life, but his life gets complicated when he falls in love with Poovi and marries her in disguise. The movie was dubbed in Telugu as Prachanda Bheri. This was also Rajkumar's first cinemascope movie.

Chandanada Gombe is a simple love story. Anant Nag is a landlord. Lakshmi's father is a school teacher who is struggling to find a bridegroom for Lakshmi. They get married with the help of relatives. Anant Nag unfortunately dies in an accident. The rest of the story continues about the life of a struggling widow and her child in a traditional society amid village politics.

Rajashekhar earns the enmity of his business partners when he opposes their illegal plans. Circumstances force him to run from the police and he is separated from his wife in the process.

At his detective wife's request, a young man joins a boxing club to find out about the illegal activities carried out by the head of the establishment.

Movie starring Vishnuvardhan, Manjula Devi, K S Ashwath and is directed by T R Ramanna.

Film with music from S. Janaki and others.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Raj and his wife are thrown out of the house by their children. Raj works very hard and becomes rich. His children, for the love of money, welcome him home. Will he go back to stay with them?

An estate manager sets his eyes on a beautiful girl. When he tries to misbehave with her, a good-hearted man comes to her rescue.