Samantha Phillips

Reality TV stars, overnight success, star-crossed lovers, and nude photos on the internet are everything you'd expect to find in Love, Sex & Hollywood. Emily Rodriguez caters an event for movie star Matthew Murphy, which earns her a promotion as an Assistant for a talent agency, where she is discovered by a television producer. After getting cast in America's #1 show and skyrocketing to stardom, sparks fly between Emily and Matthew. Matthew's jealous girlfriend Jane doesn't just get angry...she gets even. Will Jane win Matthew back? Will Emily ruin Matthew's career? Or will there be a Hollywood ending?

Everything is for sale in Vice City, where the cops are dirtier than the call girls they bust and every dark alley and shadowed corner promises a dangerous seduction. Where the only rendezvous is a lurid one and the only thing cheaper than a trip around the world is the soul of the pretty young thing selling the ride. Enter Daisy (Mia Zottoli), a small-change stripper with dreams of an empire who will not stop until she holds the city in her silken fist. Assembling a crack team of next level super-hookers and moving their action out of the alley and onto the hill, Daisy's syndicate takes aim at the wealthy elite. But when the scandal heats up, Vice Detective Angie (Holly Sampson) hits the case hard while whetting her own appetites and ducking an Internal Affairs (CC Costigan) investigation into her partner's nasty habits, proving that no one is what they seem in Vice City, unless they seem real naughty.

The Vice Girls are back, and they brought their handcuffs. Ready to nail any perp to the wall, even if it means getting nailed themselves, these ladies bring their own brand of justice to the streets in this thrilling conclusion to the hit film about naughty crooks and even naughtier cops. So go for a ride-along with the Vice Girls and get your hands on some big busts, but remember: anyone you do can be held against you in a court of lust.

When summer’s here and the time is right for dancing in the streets, it’s also time to grill out and spill out like the naked softcore starlets.

Alabama Jones, Oklahoma Jones, and California Jones are three sexy adventurers who hunt ancient treasures for a museum curator. They manage to defeat the floating flaming skulls that had killed previous treasure hunters and take the idol of Punani. Their next assignment is to find a drunken tracker named "Jungle Bill" and convince him to lead them to the Golden Mango of Tantu. During their quest they encounter sexy jungle goddesses, gorillas, natives, a hunky jungle man, a giant scorpion, lost aviator Amelia Airhead, and others while pausing frequently to enjoy erotic delights.

Max, Chloe, and Ashley specialize in sexy undercover work after expertly trained at the Busty Cops Academy. The crime-fighting cadets' first assignment takes them on to the set of a Hollywood porn film.

A tropical island is the setting for television's hottest new reality show, "Treasure Hunt," where 10 sexy contestants are competing for $10 million in hidden cash. Their celebration of fun, sun and seduction turns to panic when the contestants start having mysterious and deadly accidents. A killer is loose on the island... and as the body country grows, so do the television ratings!

Five high school cheerleaders, their coach and a couple of adolescent sex-crazed guys travel to a cabin in the woods for a weekend getaway only to be killed off one by one by an unseen maniac.

Bare Wench Project 4: Uncensored" is a compilation of greatest hits from the three previous movies. There's probably a couple of seconds added to each old scene. Nikki Fritz, Julie K. Smith and Glori Anne Gilbert walk through the woods and reminisce on the other flicks. "Hey, remember that time we took our tops off? That was awesome!" Then the movie flashes back to the bare women.

This film follows its lead character, Detective Jake Blade (played by Shaw) who is pursuing the Russian crime lord Rinaldi (played by Smith). This film is traditional of Scott Shaw's directorial work in that it follows a non-linear storyline that it riddled with strange dialogue and unexpected edits, where the central characters leave behind the storyline and interact solely by the presentation of visual images in association with Techno music. This film also possesses the obvious references to Blacksploitation Cinema apparent in virtually all Scott Shaw films.