
Jerzy Skolimowski (Polish: [ˈjɛʐɨ skɔliˈmɔfskʲi]; born 5 May 1938) is a Polish film director, screenwriter, dramatist, actor and painter. Beginning as a screenwriter for Andrzej Wajda's Innocent Sorcerers (1960), Skolimowski has made more than twenty films since his directorial debut The Menacing Eye (1960). In 1967 he was awarded the Golden Bear prize for his Belgian film The Departure (1967). Am...
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Valeria, young secretary of a producer, lives with an eccentric mother and secretly writes for a successful screenwriter, Alessandro. One day, she receives an unusual present from a stranger: it’s the plot of a movie about the mysterious but really-happened theft of a famous Caravaggio’s painting.

An organised arts teacher has only one main problem in life, which is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour.

When an unexpected enemy emerges and threatens global safety and security, Nick Fury, director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!

In the summer of 1683, 300 000 Ottoman Empire's warriors begin the siege of Vienna. City's fall, will open way to conquer the Europe. The Sept 11 is the day of main battle between Polish cavalry under the King Jan III Sobieski and Turks.

A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.

Short documentary about sequences removed from the film.

Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.

A Russian teenager living in London dies during childbirth but leaves clues in her diary that could tie her child to a rape involving a violent Russian mob family.

Spanning several decades, this powerful biopic offers a glimpse into the life of famed Cuban poet and novelist Reinaldo Arenas, an artist who was vilified for his homosexuality in Fidel Castro's Cuba.

The war between Iraq and Kuwait is just about to begin. While all foreigners are leaving Iraq, Pawel, a young Polish engineer is captured by the Iraqi Secret Service. His father, a retired secret service operative goes to Iraq to attempt to rescue him not knowing that he is secretly being used as bait. Now, two Polish secret agents have been assigned by the CIA to attempt a rescue mission. The stakes are high, but are they high enough to risk the life of one of the best officers?
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