Edward Clark

Rape/revenge story in a rural setting, with subplots about stealing livestock, home-invasion activity, and sexytimes with bar-girls.

Convict Van Duff engineers a large-scale prison break; the six survivors hide out in a forgotten mine working near the prison, then set out on a long, dangerous journey by foot, car, train and truck to retrieve Duff's bank loot. En route, as they touch the lives of "regular folks," each has his own rendezvous with destiny.

In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.

A returning Korean War vet becomes embroiled in a fight over possession of a tungsten mine.

Do-gooder Joe McDoakes is the guest on the "Know Your Relatives" TV show where, to his chagrin, many of his black sheep relations reveal the skeletons in the family closet.

A British captain and a French official's daughter save the East India Company.

Upon waking up to the news that the man she’d gone on a date with the previous night has been murdered, a young woman with only a faint memory of the night’s events begins to suspect that she murdered him while attempting to resist his advances.

Two episodes from the "Wild Bill Hickok" TV series edited together and released as a feature.

The cattle that are being rustled apparently vanish as no one is able to find them. But Rocky Lane, in his last B western, is on the job and he is assisted as usual by Nugget Clark.

Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western.