Aldo Fabrizi

Mark Shiel is the author of “Italian Neorealism: Rebuilding the Cinematic City.” In this 2009 video essay, he discusses Roberto Rossellini’s depiction of the urban settings in Rome Open City, Paisan and Germany Year Zero.

Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".

In this entertaining drama, "Carefree Giovanni" (Sergio Castellitto) is the beleaguered last heir to a dukedom closely associated with the great artist Leonardo da Vinci. As the curtain opens, one of Giovanni's ancestors drops dead when he hears that Leonardo has died. Cut to the present, and the last duke in this line, Giovanni, is miserable in a home shared by two older women who browbeat and badger him without mercy. Giovanni's one solace is to go up on the rooftop and gaze out at the world around him as he daydreams. He has a special passion for the lovely Claire (Eleonora Girogi) who lives next door. To show his sincerity, he zooms off paper airplanes in her direction. However, these missiles are made from actual letters written by the great Leonardo himself. Could this man be last link in the lineage that started 400 years earlier?

After an introduction consisting of a series of close-ups of Totò, the anthology presents clips from films performed by the late comedian actor, collected in chapters.

No plot available for this movie.

Parody of real life events of the Roman emperor Nero.

Dr. Lo Bianco, debt load, flees abroad and the headquarters avviatissimo study gynecological colleague Giovannaldi. These are adept at gaining the trust of high society and, thanks to the relationship established with the wife of a wealthy manufacturer (enough to get her pregnant), she becomes finance, own the cuckolded husband, a luxury clinic. And there will be a prize for Lobianco.

Leopoldo Lalumera, grandson of a wealthy eighty-four-year-old baron, infuriated during a galactic convention with a prosaic maid, discovers, on the eve of the wedding with his cousin Mariantonia, that he has become impotent.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

Rome, 1800. Napoleon threatens the power of the Church and executions of Jacobins are constant. Angelotti, the most famous of them all has escaped from prison and the chief of police is on his tail. Angelotti is being helped by a painter, lover of "La Tosca", a famous singer. The police chief suspects the truth and tries to arouse the jealousy of "La Tosca" to catch the escapee.