Alannah Swenka

Deep river valleys, tall limestone bluffs sawing through the sky… thousands of years ago, this unique portion of the Midwest escaped the crushing effects of the giant Ice Age glaciers. But with its scenic beauty, this preserved primal landscape also conceals unimaginable terrors: Mississippi river cults, inescapable addictions, lives not lived and blood-thirsty vengeance from beyond the grave. Four terrifying tales of the macabre Midwest.

Loosely inspired by the religious epic of Judith, The Salvages is a boundary-pushing tale of lust, love, and wrath at the end of the world. It is a journey into the darkest shadows, and the slivers of light that sometimes unmake them. The story begins three days before an impending apocalypse. We follow Judith (J. Croft), who is incarcerated at the New Canaan Academy for Delinquents. NCAD is an ‘alternative’ to jail that has proven worse than Judith could have imagined. Judith is consistently menaced by Reverend Hoelting, the Academy’s abusive and predatory figurehead. Things begin to change, however, when Judith is approached by Abra, another NCAD ward whom she has admired for some time. Together, Judith and Abra find love and hope in each other. Ultimately, an inexplicable vision of a divine being calling itself ‘The Madonna’ inspires Judith to plot terrible wrath upon the person who has done her wrong.

A horror short film.

Four robbers are stranded in a village credit union after immediately botching a would-be series of bank heists in rural midwest America.

You Should Have Killed Me is a story of revenge, sacrifice, and ultimately justice - Or so we hope.

Alex returns to Charlie's home to find her watching TV shows, but soon finds that the shows, and Charlie, are not what they seem.

A father provides advice to his daughter.

A woman is severed from reality after a tragedy. The film follows her dissociative experience of grief.