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Kasimir uses a hollow couch to infiltrate houses. Once inside, he secretly films the owners’ lives. A few days later the couch is picked up again, with Kasimir inside: “Delivery Error“. He delivers the tapes to the brain surgeon Dr. Liebermann, who is trying to learn how to feel human emotions. While Kasimir provides him with more footage of further break-ins to prove his love, the doctor, unimpressed, prepares an awake surgery in his cellar for a young musician. Broken by unrequited love, Kasimir begins to deviate from Liebermann‘s dogma: never intervene in what happens in front of the camera. An unforgivable breach of trust for Liebermann and so he decides to determine Kasimir’s fate.

After a 12-year marriage, Markus and Miriam have split up and share custody for their twins Elias and Emma. To be closer to his children, Markus moves in next door - with his new girlfriend Galina.

Samuela despairs of her lack of breakthrough as an author. When she is abandoned by her boyfriend, she secretly travels with her brother to the family holiday home in Lanzarote, where she wants to work on her novel. But instead of the peace she hoped for, she finds her father there, who occupies the house after the divorce. When her mother also shows up, the chaos is perfect.

Vera and Wolf Küper live in Berlin with their 5-year-old daughter Nina and their one-year-old son Simon. Vera takes care of the children and the household alongside a part-time job, while Wolf works as a scientific advisor to the UN, trying to raise awareness of the seriousness of the coming climate catastrophe. The stressful everyday life in a system that is not exactly family-friendly puts increasing strain on the young family and the couple's relationship. The Küper family's way of life is finally shaken to the core when little Nina is diagnosed with a fine motor and coordination disorder. At this moment, Wolf remembers a wish that his daughter expressed shortly before going to bed. Nina would like to have a million minutes, just for the really nice things.

Luisa from Argentina and Fred from Germany are confronted with their social roles at their wedding. The German tradition of kidnapping the bride shakes the couple’s equality. There is no room for love in this role-play of marriage.

Shamelessly, Jürgen Brüning samples and remixes clips and scraps of material from his own work as a director and producer (among others for Bruce LaBruce & Shu Lea Cheang) with borrowed pop cultural references from around the world for this video essay on gay identity. His reflections are connected by songs that address miscellaneous news and social issues with egalitarian verve, sung by hot guys in a public toilet. A film full of meandering associations and unexplained references, it's at the same time a political musical and the taking stock of a romantic revolutionary. Anti-religious, anti-authoritarian and somehow also a bit anti-everything!

Parvis, the son of exiled Iranians, copes with life in his small hometown by indulging himself with pop culture, Grindr dates, and raves. After being caught shoplifting, he is sentenced to community service at a refugee shelter where he meets siblings Banafshe and Amon, who have fled Iran. As a romantic attraction between Parvis and Amon grows, the fragile relationship between the three is put to a test.

A lonely therapist and her suicidal half-sister are on their way to Norway in a red fire-engine. Accompanied by a Spaniard who wants to go to Finland. Haunted by a bunch of stranded personalities. And two flies who suddenly start dreaming.

The fate of Nora, a supermarket cashier who lives happily with her boyfriend Aron, and that of Natan, a loving father who works as a night watchman, cross paths when misfortune turns their lives upside down.

Children's book author Heinrich is confronted with absurd situations in a cold berlin night.
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