Tilbe Saran

The film explores the deep traces of the life of poetess Nilgün Marmara, her connection with the literary circle and those aspects of her life that have remained in the shadows until now.

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

A middle-aged man emerges from a pandemic slump with a new job at a quiet hotel, until some eccentric guests turn his first night into a wild adventure.

A woman’s voyage of discovery into the audiovisual shadows of a life and oeuvre of her favourite director: Turkish grandmaster Ömer Kavur. While the journey continues in abandoned towns, ruins and deserted hotels; an imaginary dialogue begins between the woman and Kavur.

Bergen, a valuable Turkish arabesque singer, fights to stay afloat despite all the difficulties in her life.

‘Theatre is my life,’ Yıldız Kenter admits in her biography written by Dikmen Gürün. This is the story of a star, who has dedicated her whole life to her theatre company, students, the stage. Recounting the prizes received as well as the prices paid for pursuing your passion, Sweetie is a testimony to the transforming cultural landscape of the country as it tells Kenter Theatre’s story and thus how a private theatre has managed to survive. Including interviews by family members, students, fellow actors, as well as rare archival images and footage, Sweetie is an homage to the ‘North Star of Turkish theatre.’ The documentary was written by Zeynep Miraç, scored by Murat Evgin, and features Dikmen Gürün as advisor.

Istanbul is under quarantine. Felek and Kerim find the best way to make profits in this period. They will access people's computers and introduce themselves as government officials, making them confess their "crimes". However, the city in question is Istanbul and all kinds of people live here.

Metin Akpınar has not been on the theater stage since 1992. In addition to TV series and movies, new generations were able to meet him with Devekuşu Kabare's six plays that could be recorded. As if it was written today, those who watched had a taste of his unique acting in current plays. It was an acting that accompanied his talent and his intellectual background. "I'm Glad I Did", when transferring through the years Metin Akpinar he brought his own narrative, on the other hand, offers a different approach to Turkey's recent history, leaving an archive for the future by refreshing memory.

A software company develops a security app to help women living alone feel more secure. A shadow man, which can be projected on the walls and window of the house for twenty-four hours, makes it seem like there is a young man who can move around the house, doing various activities and talking. Mine is a thirty-five-year-old young woman dependent on her mother.

He is a boss who dedicates his life to grow up the textile empire he inherited from his father and does not hesitate to follow ruthless methods for it. He decides to choose a different life after a heavy traffic accident.