Axel Werner

The three garbage collectors accidentally get on the trail of a protection racket in the Neukölln neighborhood: Snack bar owner Mohammed has to fend off an aggressive gang of youths and eventually resorts to drastic measures - but Werner discovers that the situation is not quite as clear-cut as it seems. Meanwhile, Tarik's extreme jealousy puts his relationship with Werner's daughter Annika at risk.

When a mysterious brick wall encloses their apartment building overnight, Tim and Olivia must unite with their wary neighbors to get out alive.

Trapped in the confines of his hotel room a manager discovers a giant tower looming in the distant skyline, causing him to spiral into a state of confusion and forcing him to confront the fragility of his own sanity and the very nature of his existence.

In a hospice, 38-year-old Nadine confronts terminal cancer with raw anger and reluctant acceptance. Struggling to bid farewell to her young son Dexter and a life unfinished, she navigates the weight of mortality. Bonds with fellow patients, like the vibrant Marion, offer solace amid pain and humor. Through fleeting moments of joy and sorrow, Nadine learns to let go, finding peace in life’s fragile beauty. Inspired by real hospice experiences, Benjamin Kramme’s touching debut captures the emotional turbulence of dying and the enduring light of human connection.

Anna Grawe is the right-hand woman of Bea Kober, a member of the Bundestag. When she learns that the public prosecutor's office is investigating her boss, she becomes suspicious. The connection to oligarch Parygin makes everything even more complicated. What Anna doesn't realize is that her daughter Larissa had an affair with Parygin.

Mother and daughter, both from the GDR: one experienced it, the other did not. Tamara was born in 1990. Like many of the post-reunification generation, she left her homeland and only comes to visit for her milestone birthday. But everything that seemed secure crumbles within a few days: Tamara (Linda Pöppel) and her mother Barbara (Lina Wendel) are left. The two struggle to maintain their relationship, which cannot be detached from the social developments in which the family was born, grew and disintegrated. Now Tamara must face what she has been running away from: her own history.

Water pipe burst and bomb alarm - Berlin in a state of emergency: Dorn and Gerald don't know where their heads are. The routes for the garbage collectors have to be reworked due to numerous road closures, chaos rages.

Garbage manager Rüdiger Dorn wants to move into his parents' house after the death of his mother - but that has to be brought into shape first. It goes without saying that Werner pitches in.

Karla, a strong, sensual and experienced woman, learns that she has terminal cancer. She only has a few months left. After a wild life as a photographer of music bands, full of touring, joints and rock 'n' roll, the woman in her mid-sixties has no desire for sentimentality. She wants to be left alone with her fate and plans a dignified exit. She refuses the help of voluntary euthanasia assistant Fred, a single-parent traffic planner who always means well. But Fred's son Phil, a shy teenager with a great sense of poetry, manages to get in touch with the terminally ill artist. He is allowed to archive their concert photos for posterity - and in the process gets to know the funky student Rona. As Fred, Phil and Karla open up to each other, a wonderful friendship develops. While father and son initially believed that they would accompany Karla when she died, the opposite suddenly happened: they both learned to live from her

"Captain" Werner Träsch is quite astonished: the fresh wind of social change is also blowing among the tradition-conscious Berlin garbage workers. His boss, Dorn, has got it into his head that women should finally be employed as refuse collectors.