Klaus Lemke

Lucius Glantz, a veteran hotel manager in Vienna, fights to save his beloved establishment from a scheming realtor's plan to demolish it, leading to a clash of wills that even affects the hotel's renowned soufflé recipe.

A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971), SYLVIE (1973), IDOLE (1976) and AMORE (1978), Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."

No plot available for this movie.

»I’d prefer to be the film myself than just the director«: with Klaus Lemke, the boundaries between life and screen are fluid. For more than 50 years he has made films on low budgets using amateur actors without a screenplay. His cinema is brutal and impulsive, every film a slap in the face for the staid productions of the mainstream. In Bad Boy Lemke, he brings unfinished projects to an end and reflects on his body of work – of course à la Lemke: radical, confusing and powerful.

On the run from her ex-lover, Judith hides in the toilet at the Munich Art Academy. In the basement. She wants to hijack the snobbish art scene with a scandal video.

All about casting. And about Lemke. And orgasms through thought transference. Plus: All about financing non-government movies.

An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.

In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.

Tini would like to be a writer, but unfortunately she doesn't have the talent. At least she finds a supposed bestselling author on Fuerteventura, for whom she is merely a means to an artistic end.

Charming but scheming "Colonel" Monk arrives to Ibiza in search of his missing son. He spends most of his time talking with his son's girlfriends and it turns out that the son might not actually want to be found.