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Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

The close friendship between Arthur and Felix is put to the test when one lends the other his health insurance card. Arthur finds out that Felix is terminally ill, but Felix doesn't know it yet. However, because he doesn't have the courage to break the bad news and bitter truth to his friend, he soon becomes entangled in a web of lies and suddenly the tables are turned: Felix, who is actually terminally ill, believes that the healthy Arthur is actually going to die soon. He selflessly agrees to care for Arthur and give him a good time in the supposedly last days of his life. This actually gives Arthur a new perspective on life and Felix also starts to change: He manages to open his heart and learns to love bit by bit.

Berlin at the end of the 19th Century. Alexander Hoffmann is an ambitious PhD student of Ethnology. When a delegation of the Herero and Nama tribes travels to Berlin during a ‘Colonial Exhibition’, he takes a special interest in their young female translator Kezia Kambazembi as subject for his studies.

Professor Albus Dumbledore knows the powerful, dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts magizoologist Newt Scamander to lead an intrepid team of wizards and witches. They soon encounter an array of old and new beasts as they clash with Grindelwald's growing legion of followers.

Kurt (Til Schweiger) and Lena (Franziska Machens) move together into an old house outside the city that is in need of renovation in order to be closer to Kurt's six-year-old son, little Kurt (Levi Wolter), and ex-wife Jana (Jasmin Gerat). But before their patchwork family happiness can really begin, little Kurt is killed in an accident - leaving behind three adults who don't know how to live with this tragic loss.

This documentary tells the story of the creation and cultural impact of the world's most famous Christmas carol, composed in 1818 in Salzburg, Austria, and since then translated into about 140 languages.

Charlotte Kler has enjoyed a privileged life alongside her husband, star conductor Walter Kler, but has also jetted restlessly around the world with him. She is delighted that this is now to come to an end and the family will be reunited in Munich. But things turn out differently than she thinks: her husband secretly makes plans to take a job in New York, her daughter reproaches her and her granddaughter is not interested in her. Not a good start for Charlotte. But a chance acquaintance with a former lifeguard brings her back to what really matters in life.

The plot of Die Fledermaus is woven around a ball given by Prince Orlofsky.

Everything must change, thought Hermann Hesse. In the spring of 1919, he packed his bags and left for Ticino. The horror of the First World War had thrown him off course. The poet hoped that the climate and light of the south would give him a new lease on life and creative energy beyond the confines of bourgeois conventions. With the story Klingsors letzter Sommer (Klingsor’s Last Summer), Hesse wrote himself into a summer-long intoxication that was unprecedented for him. At the precipice, however, doom and death await.

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