Theo Maassen

When Grandpa Cor has to take care of his grandson Coentje, he gets tempted to participate in a card tournament and loses track of Coentje. His daughter Carola is furious and forbids her father from having any further contact with his grandson

Registration of the eleventh theatre program by the Dutch comedian Theo Maassen.

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

When they are confronted with the disease of the pater familias, all the members of the Liefhebber family have to face their fears, faults and their troubled interrelationships.

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

When her mother abandons her dementing father, Alex unexpectedly finds herself at a crossroads. As she moves back in the parental house to look after her father, she starts questioning her own life. Does she want to stay with her adulterous husband? She tolerated his affairs for years, but is she really happy with him? Or should she, like her parents, drop the facade?

Because of a bad marriage of their parents, two brothers Jules and Max made a pact never to get into a relationship with a woman. Therefore, they live a party-life in which they sleep with a different girl every day. However this changes when Jules starts to date Anna and Max falls in love with her. Can their bromance overcome this love triangle.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Doodslag (Dutch for "Manslaughter") is the story of Max, a paramedic who is repeatedly hindered in performing his duties by loutish behaviour. As his ambulance hurries towards a complicated childbirth, some youths prevent Max from reaching the distressed woman in labour. Spurred on by the emergency and the incendiary words of a TV pundit, he reaches a boiling point and forcefully hits one of the men obstructing his ambulance. Max's strike has far-reaching, unintended consequences.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.