Tom Wlaschiha

Munir travels to a remote island to contemplate a drastic action. He is haunted by a cryptic parable passed down to him by his mother. In the silence of his isolated island sanctuary, he encounters the enigmatic Valeska and her rough-hewn but loyal son, Karl. Although few words are spoken, simple acts of kindness begin to overcome their mutual distrust. Munir’s heavy burden is gradually eased and his desire for life reignited

A retired professor in his seventies enjoys a quiet, carefree life – until his daughter, amid a marital crisis, arrives with her two unruly children. As his peaceful routine unravels, he’s drawn into the chaos of family and unexpected emotions. Through this upheaval, he rediscovers the beauty and pain of love, and the deep human need to connect—despite the cost.

Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.

Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.

Iconic actress Jean Yu returns to Japanese-occupied China to star in a play directed by her former lover. However, her undercover work for the Allies soon places her life in grave danger.

In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micronation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.

Danish soldier Esben fakes his own death in an attempt to flee the war and reunite with his beloved wife Kirstine and their son Karl after being apart for three years. However, everything has changed while he has been away. A charming German officer has taken over the role as the family’s father and is courting Kirstine. While hiding in his own attic, Esben witnesses this very real nightmare and must do everything in his power to survive, win back the love of Kirstine and save his family.

Frank left his life as a soldier behind and wants to rebuild his life in Brandenburg. He is on his way to meet his daughter, Lily, after a long time of not seeing her. As he stops at a gas station he meets Andreas, who needs a ride to Berlin. Reluctantly, Frank agrees to take Andreas with him - unaware of the consequences.

Nina (38) loves her little family and is passionate about her job as an architect. When she returns to work after parental leave, she is able to save the office from bankruptcy with an ingenious idea. The only catch: she has to pretend to be single and married to her work. Nina gets no help from her husband Torsten (38) because he sees her dream job as a threat to the family. In desperation, Nina pretends he is her brother and secretly hires granny-for-hire Irmgard (70). Between lies and success, Nina's life picks up so much speed that she soon can no longer find the emergency brake.