
Ching Miao (Chinese: 井淼, March 15, 1913 – 1989) was a Taiwanese actor born in Shandong, China. He had appeared in over 190 films, mostly in Hong Kong for the Shaw Brothers Studio. He won the Best Supporting Actor for Golden Horse Awards twice, for Between Tears and Smiles (1964) and Too Late for Love (1967) respectively. Actress Ching Li is his daughter.
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Monk San Te tries to support and protect Shaolin and her Fang Shih-yu who purposely attacks corrupt Ching officials.

The sergeant of the Brocade Guards, the government's secret police, fights back against a traitorous eunuch who wishes to take the throne.

Former wife of Chow Yun Fat, Candice Yu On-on stars in this gauzy softcore flick directed by Chor Yuen. Chun (Yu) is a high-class society woman who secretly dabbles in every sort of vice, from arranging murder to kidnapping young girls to serve as sex slaves for her brothel. One such lass is the beautiful Ai-nu, who manages to fight her way out of getting gang raped by Chun's minion. When she is recaptured, she promptly kills one of her first customers. Ai-nu's spunk intrigues Chun, prompting her to not only cover up the lass' crime but also seduce her as well. Detective Ling Yun (Alex Man Chi-leung) soon suspects something is amiss and begins investigating Chun's brothel over the objections of his superiors. When Ai-nu falls for Yun, Chun orders her lackey/lover Yeh to kill him. Instead, he tries to seduce Ai-nu himself. ~ Jonathan Crow, Rovi

A small town is protected by one of the famous Ten Tigers of Kwangtung. The town is very safe as Ti Lung and his Kung Fu students patrol for criminals. Enter the rival Kung Fu school whom Ti Lung's students have beaten in a lion dance competition and then humiliated in a brawl. The rival school is joined by an opium dealing Kung Fu master who plans to turn the town into a community of addicts!

Someone's on a pituitary gland binge. Pituitary glands first go missing from corpses and the criminal theft escalates to living people..

A rampaging swordsman slices and dices his way across China on a bloody mission to cut down every warrior in his way, and claim the blade of the legendary Supreme Swordsman in this Shaw Brothers classic starring Derek Yee and Jason Pai Piao, and directed by Keith Li Baak Ling. But when the son of a slain sword maker emerges as an unexpected challenger, the ruthless killer realizes that he may have finally met his match.

Just when audiences thought the director couldn't get more spectacular and outrageous, he unleashed this eye-filling, mind-bending "Martial Arts World" sequel of clan rivalries, ninja atrocities, wizard sorceries, and the mythical Silkworm style that changes our hero into a veritable Spider-swordsman. The screen practically explodes with colorful characters and kung-fu -- all directed, co-written, and co-choreographed by Lu Chun-ku, and showcasing some of the best Shaw Brothers action stars. The original Bastard Swordsman was just the beginning, this superlative cult classic that out-phantasmagoricals the original.

Master Liu and Master Law are rival masters of Shaolin style kung fu, and Wudang style sword fighting, running schools in the same city. Their top students, Chao Fung-wu, and Hung Jun-kit, are actually close friends. After observing the two students fighting at a brothel, the Lord determines that the two styles are dangerous, and he must learn both.

Max Mok is the dashing young swordsman Feng Xiwu who arrives at a beautiful, but deadly location known as Moonlit Sky to investigate rumors of deaths and disappearances there.

This is an extremely rare example of science fiction, Hong Kong style, but, fittingly, it's unlike any sci-fi flick you've ever seen. Alien abductions, suicide pacts, superstardom, and the reality of science fiction itself is spotlighted in this bright, crazy, truly out of this world epic -- one of the more unusual movies in the Hong Kong cinema of the early 1980s. And if you know 80's Hong Kong cinema at all, you know that's really saying something!
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