
Glauce Rocha (16 August 1930 – 12 October 1971) was a Brazilian actress. She appeared in 34 films and television shows between 1950 and 1971. She starred in the film Os Cafajestes, which was entered into the 12th Berlin International Film Festival.
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The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."

The story of one of the greatest stars of Brazilian cinema, Glauce Rocha.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A tireless and incorrigible seducer looks for - and seems to find - the woman of his life.

A man, trying to get a job, meets a lot of unusual characters on his way.

A decadent hooker, her pimp and the bordello's gay cleaner fight over the gigolo's missing money, with the utmost mental cruelty.

Based on a radio show that was broadcast for 11 years (1947-1958) and ended only when the host and creator, the genius Henrique Foreis "Almirante" Domingues, had a stroke. There were hundreds of horror stories, supposedly true, sent by listeners from all corners of the country, radiophoned and broadcast by Rádio Tupi in Rio de Janeiro. It became a book in 1951 (reissued in 1984), a film in 1969 and a TV show in 1994-1995, broadcast by the extinct Rede Manchete.

Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.

Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
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