Léa Garcia

Mr. William, a grumpy and lonely old man, buys a wife robot online, expecting to get a young and sexy looking one. Instead, he gets an 80-year-old robot, called Bela LX-404. While he is trying to return her, astonishing events occur.

No plot available for this movie.

Roque and Pudim, composers from the old school of Vai-Vai, share a kitchnete, decades of friendship, love for their samba school and a doubt about the past: what happened to dancer Rita, their passion. The emergence of Ritinha, the dancer's daughter, threatens to collapse this great friendship.

With his mom's salon on the brink of bankruptcy, a dedicated son rolls up his sleeves to help and discovers himself as the coolest barber on the block.

Tati, an introspective 13 year old girl struggles to connect with her estranged father, Jaca, after he is released from prison in the turbulent wake of the Rio Olympics. As Brazilian Pacification Police battle to maintain a tenuous occupation of the surrounding Rio favelas, Tati and Jaca must navigate the clashing forces threatening to derail their hope for the future.

The discovery of the existence of death awakens in Omar and Taú the perception that childhood is no longer what it used to be. The grandmother's imminent departure at home reveals to the Ibeji the heritage of this awareness as an ancestral meaning of life.

"A Day with Jerusa" follows Silvia, a young, mediumic market researcher facing the hardships of underemployment while awaiting the result of a public exam, and Jerusa, a gracious 77-year-old lady, eyewitness to the daily life on Bixiga, a neighborhood filled with ancestral memories. On Jerusa's birthday, while she waits for her family's arrival, the encounter between her deepest memories and Silvia's mediumship allows them to travel through time and realities common to their ancestry.

No plot available for this movie.

What does Brazilian cinema tell us? What does Brazilian cinema tell us about black actresses and actors? ‘Pressed, Ripped Apart’ makes use of archival sources to retrieve the trajectory of black actresses and actors who, between absences and delimited presences, between the fallacy of a racial democracy – based on the harmony among Brazil’s diverse identities – and erasure of identity, strain the history of Brazilian audiovisual and above all, our own history.

The 43rd edition screens Neighbors, with five segments about the theme “neighbors”: not only about physical proximity, but also about relationships. In Brazil, Olga is a 90-year-old black woman who lost her husband one year ago; her neighbors, who come from different parts of the world, interrupt her grief. In Russia, an employee tries so hard to please his boss that he becomes inconvenient. An Indian woman, with the help of her male friend, decides to learn how to drive, an uncommon practice for women in the country. In China, an elderly, owner of an old and decadent barbershop, argues with his son, who wants to change the business. In South Africa, a group of homeless fights for the right to housing.