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This is the story of the Bohemian King, Přemysl Otakar II, and the forgotten pilgrim, Odorik, who was the first-ever European to set eyes on Tibet. This medieval road movie brings an unconventional view to these two great figures of Czech medieval history. While the character of Odorik, regarded as the “Bohemian Marco Polo,” is practically unknown to us, the Bohemian King Přemysl Otakar II is either demonized or dismissed by the traditional clichés of the “Iron and Golden King.” In a private conversational format, the film’s author gives us a glimpse of this medieval world, set nearly 700 years apart from our modern context. But nothing has been lost in terms of this world’s impact or relevance, for both Odorik and Přemysl have outlived their time. Their lives are surprisingly endearing and touch on many of our current feelings.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

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Nina is pregnant with Jakub. Today, he introduces her to his family. They’re all gathered in the hospital at the bedside of his grandfather. Just as the young lady tries to put on a brave face, she is faced with the surprising reaction of the dying relative: he wants to see her breasts. This sparks a debate to which she is not invited – should the patriarch’s last vow be satisfied?

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The film tells the story of the relationship between a mentally disabled uncle and his nephew, whom fate brings together at a certain moment, gradually forming a bond between them that is a demonstration of the strength and "power" of friendship. This is then put to the test by those who, for various reasons, try to separate them. Among other things, the film is a confrontation between the two main, innocent protagonists and those who lost their innocence long ago and are guided primarily by what can benefit them, often at any cost.

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As punishment, the devil Matěj must grant the wishes of a poor young man named Ondra until he says he is completely happy. But can such happiness even be achieved? Hell has its doubts about this, and it seems that they are justified, as the other devils are well entertained by Matěj's helplessness. After fulfilling ordinary wishes, when Ondra finally warms up, eats well, and gets dressed, more serious complications arise. Ondra falls in love with Rézinka, a countess from the castle, and to make matters worse, the devil Matěj takes a liking to the cook Marjánka.
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