Friedrich Karl Praetorius

In 1938 Hans Zeisig, an apolitical comedian, impersonator and cabaret actor, flees with a Russian passport (instead of American, which he would have preferred) from Nazi-Berlin, and finds himself in the legendary Hotel Lux, the 'lost paradise' of the Comintern, in Moscow. Everyone believes that Zeisig is a man named Hansen, Hitler's personal astrologer. But Zeisig quickly realizes that he's gone from the frying pan into the fire. In the Hotel Lux he meets his friends Frida and later Meyer again, still passionate communists. For the three idealists an adventure between love and death begins to run his course.

Bettina Hinrichs, who owns a flower shop, has been nominated to act as Schöffin (a german version of jury member) at court. Robert Wrengler is accused to have murdered his wife with a letter bomb. Bettina Hinrichs has mixed feelings about her duty: How can she decide who is telling the truth? Should she believe the tears of the bereft widower or the accusations of his brother-in-law? Her life is turned upside down even more when she finds out that a detective is following her and her daughter, uttering threats in case she makes the wrong decision. And what about Peter, the nice guy she met by accident right after the trial started - is he really on her side? Weighed down by doubt, she finds Wrengler guilty - but that's not the end of it all.

A harmless speeding ticket from Italy can sometimes have huge consequences - this experience must make construction manager Otto Schlegel, as he returns after a romantic weekend with his secret lover Renate from the south. There is an election campaign in the city, as no one may allow a misstep. As if that were not enough trouble, Schlegel has a new employee who wants to prove himself as a cover-up: Renate's husband Michael. But the press has already received weather. But the witty Schlegel does not let it get that easy. He struggles to keep his post and his great love Renate ...

Two very different love stories cross each other in warm and magical way. A humanistic and yet mysterious film about love and death near the German/Danish border.

No plot available for this movie.

While searching for an ancient burial chamber in Cologne, Dr. Bea Valori has suppressed the fact that she is a very lonely romantic at heart. This seems to change when colleague Michael Burger introduces her to the charismatic Jürgen Wiedener. He teaches minnesong at the university and has very specific ideas about a life for two. At first, Bea feels flattered by Jürgen's declarations of love. But then his courtship becomes more and more insistent. He is prepared to give everything for Bea. Even if it costs him his life...

No plot available for this movie.

No plot available for this movie.

A police psychologist saves a young woman from jumping to her death and takes the unstable stranger into her family. She soon becomes jealous of her benefactor's happy marriage and tries to seduce her husband. When the rescuer surprises them both in an apparently explicit situation, she and her friend leave the home in a hurry. She suffers a car accident in which her friend dies and she herself falls into a coma. A time of hope and waiting begins for the man.

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).