Else Petersen

To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

Family drama set in the Danish countryside in the turn of the century. A wealthy landowner is an evil and corrupt womaniser with several illegitimate offspring in addition to his beautiful family. Nobody stands up to him except his feisty 17-year-old daughter.

Just after World War II, an American takes a railway job in Germany, but finds his position politically sensitive with various people trying to use him.

Farcial action fun with Bertil and Hugo, who do menial jobs at a big city hotel. Bertil is about to marry and has put money aside for his bride's morning gift. Only Hugo has kind of borrowed the money and blown it all on a wrong bet in a pigeon race. Together, they obviously have to get rich quick. When a diamond seems to be lying around for the taking, the hotel is virtually on its head.

Per is a traveling man who makes a living setting up new campsites—financed by a rather clueless telephone company and a gawking power plant. Søren has been in prison for eight years for bank robbery—but now he is free and ready to retrieve the buried money. To his great despair, he sees the campsite right where the loot is buried. Together with his greedy girlfriend and her four children, he tries to come up with a plan – but it will take a lot of imagination to get hold of the money.

No plot available for this movie.

Nikolaj Christensen is a popular Danish folk-rock artist. In this teen-oriented film, Christian (Christensen) is a young man in search of love, who restlessly leaves his home in Denmark to search for it all over Europe, finally finding some semblance of it in Morocco. This slight film is directed by Gabriel Axel, who also directed Babette's Feast. It is likeliest to be of interest to fans of the star and his music, which is used throughout.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.