Ada Lundver

A housewife confronts situations to which no sane response exists... “Madwomen: To Be a Sparrow Not a Canary” is an experimental found footage melodrama composed entirely out of film footage shot in Soviet Estonia from 1960 until 1969. An experimental collage creating an alternative narrative to the storylines in the animations, documentaries and feature films of that time period.

Tom, a wide-eyed, innocent sixteen year-old, finds himself an unwitting accomplice in a deadly game of vengeance and death when he befriends Artur - a Chechen man, hell bent on revenging the torture and murder of his family - on the streets of Tallinn.

Veteran actors from the 3 Baltic countries - Estonia, Latvia and Lithuania - gather at a castle in Latvia to receive awards for their roles as Nazi villains in propagandist Soviet war films. They reminisce about the films that made them famous throughout the USSR, but also stigmatized the Baltic countries as Nazi sympathizers in the eyes of many Russians - a misconception that is nowadays exploited by the Russian media, desperate to label the Baltic countries as a fascist haven.

By chance Erik meets Viivi, an Estonian violinist playing in the Stockholm subway. They start an intense romance. Erik's mother dislikes the relationship, not having forgotten her escape from Estonia during the war. She reveals facts from the past and Erik finds out that his Swedish father adopted him. His real father was an Estonian nazi. Viivi has grown up in communist Estonia where her father was a party member and worked for the KGB.

Jüri Rumm is a hot-tempered young peasant who is not afraid of either German barons or the Russian czar, barfights or disobedience to his master's orders. Mari, a gentle peasant girl, loves Jüri despite the fact that he is very popular among young women. Evelin is a quick-tempered baron's daughter who is used to get everything she wants, including a peasant boyfriend who considers himself a free man. Yet, the free man becomes an outlaw. Where will the runaway's love lead him?

A film about the life of Raimond Valgre, an Estonian songwriter and singer of the 1930s and 40s, the political changes of his country and his life after the war when his songs were considered not suitable for the Soviet way of life.

A mother released from a prison camp in Russia finds her son, but realises that reconciliation is impossible.

A life is difficult even for children during the forties in Estonia...

The story is about a woman, who has to heat up the company's sauna, because the bosses want to entertain foreign visitors. The sauna is situated in a small village where her ex-husband is from, and an old aunt of his is still living. In addition to having to face her bosses she also has to face her past.

The film invites its viewers to reflect on where modern sports have come to. Does a young, honest and uncompromising athlete have a future in the sport or must he go along with the dishonest tricks and the mean game that comes from it all?