Hermila Guedes

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire.

In Brazil in 1977, Marcelo, a technology specialist fleeing a mysterious past, returns to Recife in search of peace, but realizes the city is far from the refuge he seeks.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

After two middle class teenagers commit a horrific crime, their parents debate whether they should protect their loved ones or let them face the consequences for their actions.

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.

Returning early from his vacation after the Carnival period to investigate the murder of a young French tourist, Breno Wanderley is faced with possible reflections of his own history from which he cannot escape. Between Ash Wednesday and post-Carnival Sunday, Breno tries to unravel the crime and sees in his son, also called Breno, a chance to reinvent himself in a broken and sullen city.​

Marked by losses and mismatches, José's eccentric family seek to be happy while locked in Paraíso Perdido, a nightclub that has stopped in time, where they sing popular romantic music.

Hermila and Leandro want to escape. Hermila and Leandro want to stay.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.