Marjuta Slamič

This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

All Vida wants is a baby. Instead, she is trying not to lose her mind as she juggles the men in her family - her sexist grandfather, her infertile husband, and her dad, a man-child.

A couple is waiting in the vet hallway with their dog. Non-verbal communication begins between the visibly frightened woman and the receptionist.

A woman who killed her man has served her sentence. She sails through town; she sails through scenes of life. A girl sees her, forgives her, and saves her. The woman has done her thing. The world finally embraces her again.

Slovenia, the spring of 1999. Two friends from a small village decide to transform their mopeds into choppers and embark on a journey. Looking for freedom and love, they travel through dreams of the past and visions of the future. Driven by mad impulses and haunted by the conservative moulds of traditions, they start believing and understanding things previously unimaginable. On the road through Slovenia and Croatia - two countries that have just recently seceded from Yugoslavia - they are accompanied by a young runaway woman with a mysterious past and an old biker who has seen the world in search of freedom but has still not found it. They challenge themselves and each other through shared experiences, severing their ties with and conceptions of the old and thus making way for the new.

The focus is on the disintegration of an idyllic relationship between parents, Marko and Dunja. This is due to a lack of respect, caused by loss of employment and a financial breakdown. In time, the parents are no longer able to bear their burden, which is thus increasingly weighing their children down. In Slovenia, the story from The Basics of Killing occurs on a daily basis, but it could happen anywhere. To those familiar with the phenomenon, the film will be a painful experience, to others, may it be a warning.

Albert is an elderly man, a cynic, a choleric, and a racist. He lives in a wheelchair in a spacious flat in Trieste surrounded with his solitude of obsessive memory fragments, in which his unresolved relations with family members reside as he had distanced himself from them long time ago. His only contacts with reality are Ida on one hand, an educated middle-aged lady, who arrives from Istria to Albert's place twice a week to clean up, cook for him and to bathe him, and Albert's looking through the window on the other hand. That day Albert's and Ida's time together starts with Albert's nagging, him being cynical and aggressive. Ida puts up with his horrible communication with dignity and peace, but that ignites Albert's malicious behaviour even more.

16 year old girl go-kart driver Nika exceeds conflict with her mother to win the most important race of her life.

Three almost middle-aged men decide to open up a pizzeria in the neighbourhood of Šiška in Ljubljana.

DAWN is the film of 2 stories, the story of life and death In one apartment a young couple is waiting for a baby to be born. Pregnant Leila is asleep in the bathroom. Her boyfriend tries to assemble a baby bed with her father who comes from Serbia. While trying to read the manual and assemble the bed they talk, they fight and slowly get to know one another. In another apartment Robert comes from Paris to visit his sister and dying father. Because of old resentments they haven't seen each other for some time. Trough music the son reconnect with his dying father. In a 3 hour period, while the dawn is coming, the characters overcome their conflicts and resolve old issues. One life end so another one can begin.